2022 Zerocool Jacksss Rob Dyrdek 63/100 auto autograph signed card PSA 9

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2022 Zerocool Jacksss Rob Dyrdek 63/100 auto autograph signed card PSA 9

2022 Zerocool Jacksss Rob Dyrdek 63/100 auto autograph signed card PSA 9
2022 Zerocool Jacksss Rob Dyrdek 63/100 auto autograph signed card PSA 9. Terms & Conditions – FAQs. OFFERS: I DO NOT EVEN CONSIDER OR ACCEPT OFFERS AT HALF PRICE. Any unreasonable offer at or below half price will be declined and ignored. If an item does not have best offer on it, i most likely do not have any room to take less unless it was priced before market realizations at any given time. I price my items to sell quickly. ITEM CONDITION: All ungraded modern sports cards are perceived to be NM-MT. Any cards with major condition issues will be noted in the items condition and at the very top of the description as well as photos to show any damage. If the card is not graded do not expect it to be a PSA 10, if you grade it and it comes back a 10 consider it a bonus. Again, I DO NOT GUARANTEE YOU ANY GRADES. If item/s are not paid for at exactly 3 days an unpaid item case will automatically be opened & closed against you. I have 0 tolerance for non paying buyers and you will get marked for not paying for your item/s. PWE service can take up to 3 weeks for your item arrive but will most likely arrive within a week. If your PWE package does not arrive within a week, please have some patience as these often take a little longer. If items do not arrive after 3 weeks please contact me and we’ll get it taken care of. If the item says delivered but did not show up the same day, do not worry as it will show up the following day(odd but that’s how this service works with the regional scanners). Single cards there is very little or no extra cost as long as the package weight does not change. AUTOGRAPH AUTHENTICATION: All high priced signed items will come with a COA from one of the top reputable authentication companies which include PSA, JSA, or Beckett (BAS). Lower priced items usually do not have authentication but i will guarantee them to pass any third party authentication company or you may return it. Any other questions please feel free to message me and I will get back to you as soon as possible. Thank you for your business and I appreciate each and everyone of my buyers! This item is in the category “Collectibles\Non-Sport Trading Cards\Trading Card Singles”. The seller is “fathernson2210″ and is located in this country: US. This item can be shipped to United States, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech Republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, China, Sweden, Korea, South, Indonesia, Taiwan, South Africa, Thailand, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Bahamas, Israel, Mexico, New Zealand, Philippines, Singapore, Switzerland, Norway, Saudi Arabia, United Arab Emirates, Qatar, Kuwait, Bahrain, Croatia, Republic of, Malaysia, Chile, Colombia, Costa Rica, Dominican Republic, Panama, Trinidad and Tobago, Guatemala, El Salvador, Honduras, Jamaica, Antigua and Barbuda, Aruba, Belize, Dominica, Grenada, Saint Kitts-Nevis, Saint Lucia, Montserrat, Turks and Caicos Islands, Barbados, Bangladesh, Bermuda, Brunei Darussalam, Bolivia, Egypt, French Guiana, Guernsey, Gibraltar, Guadeloupe, Iceland, Jersey, Jordan, Cambodia, Cayman Islands, Liechtenstein, Sri Lanka, Luxembourg, Monaco, Macau, Martinique, Maldives, Nicaragua, Oman, Pakistan, Paraguay, Reunion, Uruguay.
  • Graded: Yes
  • Type: Non-Sport Trading Card
  • Year Manufactured: 2022
  • Grade: 9
  • Franchise: Film & TV Stars

2022 Zerocool Jacksss Rob Dyrdek 63/100 auto autograph signed card PSA 9

Supreme Court Signed Check William Day Autograph 1880

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Supreme Court Signed Check William Day Autograph 1880
Supreme Court Signed Check William Day Autograph 1880

Supreme Court Signed Check William Day Autograph 1880
ASSOCIATE JUSTICE OF THE SUPREME COURT. AN 1880 CHECK FILLED OUT AND SIGNED BY HIM. TORN CORNER AND TOP EDGE. BANK CANCELLATION LEFT SIGNATURE UNAFFECTED. William Rufus Day was an American diplomat and jurist, who served for nineteen years as an Associate Justice of the Supreme Court of the United States. William Rufus Day, associate justice of the U. Supreme Court, was born in Ravenna, Ohio. He graduated from the University of Michigan in 1870 and spent the following year in its Department of Law. After settling in Canton, Ohio, in 1872, he began his law practice. He practiced criminal and corporate law in the growing industrial town for 25 years while participating in Republican politics and becoming a close friend of William McKinley. Day was a legal and political adviser to McKinley as the latter won elections to the U. Congress, the governorship of Ohio, and the presidency. Day became McKinley’s first assistant secretary of state on April 23, 1897. Senate, but Sherman was ineffective in that position. Thus, with no diplomatic experience, Day was the defacto secretary and the secretary of state for 20 months during the Spanish-American War. His final diplomatic effort was to lead the U. Peace commission in Paris and sign the peace protocol and Treaty of Paris. Soon after Day’s return from Europe, and despite his hope to return to private life, in February 1899 McKinley appointed Day to the U. Court of Appeals for the 6th Circuit. Roosevelt nominated Day in January 1903 to fill a vacancy on the U. Day sat on the Supreme Court for almost 20 years during an era when the Court made numerous decisions that increased the involvement and police powers of both the federal and state governments in the economy. Day wrote 439 opinions during his tenure on the court, and only 18 were dissents. Characterized as rigid and formalistic, and best known for his Hammer v. Dagenhart (1917) ruling, Day advanced state regulatory powers and the enforcement of antitrust laws – the only federal economic police power that Day consistently supported. Day distrusted large corporations and voted with antitrust majorities throughout his time on the court. He sided with the government in the Standard Oil, American Tobacco, and Union Pacific cases in 1911 and 1912 and again in the Southern Pacific case in 1922. Day believed that Congress could regulate commerce but that constitutional power did not extend to the supervision of production. Day accepted the logic of the U. Knight decision (1895) that developed the distinction between commerce and production in the enforcement of the Sherman Antitrust Act. That case grew out of the Federal Child Labor Act of 1916, which prohibited interstate transportation of products manufactured in factories that employed children under the age of 14, or children between 14 and 16 working more than eight hours a day or six days a week. Day was consistent in his belief that the commerce clause could not include regulation of production, even though the products would be transported over state borders. Day was more comfortable with state regulation of social ills. His rulings in cases of state government intervention affirmed his belief that states could regulate economic power and social problems within individual state boundaries. New York (1905), Day voted with the minority to limit work in bakeries to 10 hours a day. Day wrote the dissent in Coppage v. Kansas (1915), in which he upheld the constitutionality of the state law to outlaw yellow-dog contracts. Later, in 1921, he asserted the right of a state to regulate drug use in Minnesota ex rel. For Day there was a constitutional limit on federal police powers that did not exist for state governments. Day retired from the Supreme Court in October 1922 and died on Mackinac Island, Michigan. William Day was born in Ohio on April 17, 1849. After obtaining a bachelor’s degree at the University of Michigan, Day spent an additional year there learning law. After serving as an advisor to then-Gov. William McKinley of Ohio, Day served as assistant secretary of state and then as Secretary of State to President McKinley during the pivotal year of 1898, when McKinley was drawn by jingoistic elements in his party to war with Spain (the Spanish-American War of 1898). As Secretary of State Day signed a protocol for a ceasefire with the French ambassador, who was acting in behalf of Spain. Day then resigned as Secretary of State to become one of the negotiators of the terms between the United States and Spain. In 1899, Day was nominated by McKinley to the United States Court of Appeals for the Sixth Circuit, which encompasses Ohio. He remained on the Court until the retirement of George Shiras, Jr. Of Pennsylvania on February 23, 1903. President Teddy Roosevelt quickly nominated Day to replace Shiras, in part to placate Ohio Republicans. Day took office on March 2, 1903, and remained on the Court for 19 years. Day was a moderate on a Court that constitutionalized freedom of contract in Lochner v. New York and other cases. Day dissented in Lochner and in Coppage v. Kansas (1915), which unconstitutional Kansas’s law prohibiting the use of yellow-dog provisions in labor contracts. A yellow-dog provision barred an employee from joining a union while employed by the employer. Kansas had barred the inclusion of such provisions in labor contracts, which the Court held violated freedom of contract as interpreted in Lochner. Day also concluded that laws segregating blacks and whites were unconstitutional. On the other hand, Day wrote the Court’s opinion in Hammer v. Dagenhart, which held unconstitutional the Federal Child Labor Act as beyond Congress’s interstate commerce power. In other interstate commerce cases, Day generally permitted federal regulation. Day retired in late 1922. He died on July 9, 1923, at 74. Term of Appointment: 04/26/1898 to 09/16/1898. Born in Ravenna, Ohio, April 17,1849. Graduated from the University of Michigan in 1870. Admitted to the bar in 1872 and commenced practice in Canton, Ohio. Married Mary Elizabeth Schaefer in 1873. Appointed United States Judge for the Northern District of Ohio in 1889, but because of ill health resigned before taking office. As Secretary of State, secured the neutrality of the nations of western Europe in the Spanish-American War and signed the protocol of 1898 for the cessation of hostilities. Chairman of the United States Commission that negotiated and signed the treaty of peace of 1898 with Spain. Died at his summer home on Mackinac Island. Michigan, July 9, 1923. The ambition of William R. Day was to spend his life as a successful practicing attorney in Canton, Ohio. Instead, because of his loyalty to his personal friend William McKinley, he served as Secretary of State during the Spanish-American War, Judge of the United States Court of Appeals for the Sixth Circuit for four years, and Associate Justice of the Supreme Court for 19 years. William Rufus Day was born in Ohio April 17, 1849. His father, Luther Day, became Chief Justice of Ohio. Day studied law at the University of Michigan, where he had received his bachelor’s degree. He spent a quarter of a century as a satisfied and successful attorney at Canton, resigning after serving for six months as Common Pleas Judge and refusing to accept an appointment as United States District Judge. In 1897 President McKinley appointed him First Assistant Secretary of State and later Secretary of State. He resigned to head the American delegation to the Peace Conference in Paris. In February, 1899, President McKinley appointed him Judge of the United States Court of Appeals for the Sixth Circuit, where he served with Judges William Howard Taft and Horace H. With the appointment of Judge Day, the Court for the first time had a full complement of three circuit judges. Following the assassination of President McKinley, President Theodore Roosevelt in 1903 appointed Justice Day to the Supreme Court of the United States, where he served until his retirement in 1922. One of his most celebrated opinions was his dissent in United States v. United States Steel Corporation, 251 U. He had the dubious distinction of writing the majority opinion in Hammer v. 251 (1918), holding unconstitutional the Child Labor Act of 1916. This decision was overruled by United States v. William Rufus Day (April 17, 1849 – July 9, 1923) was an American diplomat and jurist, who served for nineteen years as an Associate Justice of the Supreme Court of the United States. Prior to his service on the Supreme Court, Day served as the 36th United States Secretary of State during the administration of President William McKinley and also served as a United States Circuit Judge of the United States Court of Appeals for the Sixth Circuit and the United States Circuit Courts for the Sixth Circuit. Court of Appeals and Circuit Courts service. Selected opinions authored by Day. Day was born in Ravenna, Ohio, [1] one of the children of Emily (Spaulding) Day and Judge Luther Day of the Ohio Supreme Court. [2] He graduated with a Bachelor of Science degree from the University of Michigan in 1870, [1] spent a year studying law with attorney and judge George F. Robinson, [3] and then a year at the University of Michigan Law School. [1] He was admitted to the bar in 1872 and settled in Canton, Ohio, where he began practicing law[1] in partnership with William A. [2] For twenty-five years, Day worked as a criminal defense and corporate lawyer in the growing industrial town while participating in Republican politics. During these years, Day became a good friend of William McKinley. [2] Day became McKinley’s legal and political adviser during McKinley’s candidacies for the Congress, the Governorship of Ohio, and the Presidency of the United States. [2] After he won the Presidency, McKinley appointed Day to be Assistant Secretary of State under Secretary of State John Sherman. [1] Sherman was considered to be ineffective because of declining health and failing memory, [2] and in 1898, President McKinley replaced Sherman with Day. Five months later, Day vacated his cabinet position to helm the United States Peace Commission formed to negotiate an end to the Spanish-American War with Spain. [3] Day, however, negotiated peace with Spain on McKinley’s harsher terms. [3] His final diplomatic effort was to lead the United States Peace Commission into Paris, France and sign the Treaty of Paris ending the war. [3] He was succeeded at the Department of State by John Hay. Day received a recess appointment from President Benjamin Harrison to the United States District Court for the Northern District of Ohio on May 24, 1889, but declined the appointment. Day was nominated by President William McKinley on February 25, 1899, to the United States Court of Appeals for the Sixth Circuit and the United States Circuit Courts for the Sixth Circuit, to a new joint seat authorized by 30 Stat. [1] He was confirmed by the United States Senate on February 28, 1899, and received his commission the same day. [1] His service terminated on February 23, 1903, due to his elevation to the Supreme Court. McKinley was assassinated in September 1901 and the Vice President, Theodore Roosevelt succeeded him as president. [5] In 1903, George Shiras Jr. Resigned from the United States Supreme Court and Roosevelt offered his Associate Justice position to William Howard Taft. [5] Taft declined in order to remain in his post as governor of the Philippines. [5] In February, Roosevelt nominated Day, who accepted. [5] The United States Senate confirmed the nomination on February 23, 1903, and Day received his commission the same day. [5] He assumed his seat on March 2, 1903. [1] He served as Circuit Justice for the Seventh Circuit from March 9, 1903, to March 17, 1912, and as Circuit Justice for the Sixth Circuit from March 18, 1912, to November 13, 1922. Day wrote 439 opinions during his tenure on the court, of which only 18 were dissents. [5] He distrusted large corporations and voted with antitrust majorities throughout his time on the court. [5] He sided with the government in the Standard Oil, American Tobacco, and Union Pacific cases in 1911 and 1912 and again in the Southern Pacific case in 1922. Day delivered the opinion of the Court in Weeks v. United States, where the highest Court ruled that the warrantless seizure of documents from a private home violated the Fourth Amendment prohibition against unreasonable searches and seizures, and evidence obtained in this manner is excluded from use in federal criminal prosecutions. Day was an avid baseball fan. [6] He is recorded as asking his clerk for “regular updates” during the bench hearing of Standard Sanitary Mfg. United States about the final game of the 1912 World Series. Day retired from the court on November 13, 1922, [1] and briefly served as an Umpire of the Mixed Claims Commission to Adjudicate War Claims against Germany. [1] He died on July 9, 1923, on Mackinac Island in Michigan, aged 74. [1] He was interred at West Lawn Cemetery in Canton. In 1875, Day married Mary Elizabeth Schaefer. [2] They were married until her death in 1912, and were the parents of four sons – William, Rufus, Stephen, and Luther. Ware & Leland v. Mobile County, 209 U. United States, 219 U. 346 (1911) – held that there must be an actual controversy between parties for the Federal courts to have jurisdiction. O’Donnell, 229 U. 1 (1913) – held that patent rights could not be extended by the holder by means of a licensing agreement. United States, 232 U. 383 (1914) – held that exclusionary rule is applicable to the federal government for violations of the Fourth Amendment. 60 (1917) – held that municipal ordinances segregating neighborhoods were unconstitutional. 251 (1918) – held that laws regulating child labor are beyond the scope of Congress’s constitutional power under the commerce clause. List of Justices of the United States Supreme Court. William Rufus Day at the Biographical Directory of Federal Judges, a public domain publication of the Federal Judicial Center. Cushman, Clare, The Supreme Court Historical Society, ed. The Supreme Court Justices: Illustrated Biographies. CQ Press: Thousand Oaks, CA. American Statesmen: Secretaries of State from John Jay to Colin Powell. Westport, CT: Greenwood Press. Profile: The Honorable William R. Ann Arbor, MI: University of Michigan Law School. Retrieved August 8, 2019. A Crank on the Court: The Passion of Justice William R. Moore, Gay Morgan (2009). Postcard History Series: Canton. Charleston, SC: Arcadia Publishing. The Supreme Court of the United States (SCOTUS) is the highest court in the federal judiciary of the United States of America. It has ultimate (and largely discretionary) appellate jurisdiction over all federal and state court cases that involve a point of federal law, and original jurisdiction over a narrow range of cases, specifically “all Cases affecting Ambassadors, other public Ministers and Consuls, and those in which a State shall be Party”. [2] The Court holds the power of judicial review, the ability to invalidate a statute for violating a provision of the Constitution. It is also able to strike down presidential directives for violating either the Constitution or statutory law. [3] However, it may act only within the context of a case in an area of law over which it has jurisdiction. The Court may decide cases having political overtones, but it has ruled that it does not have power to decide non-justiciable political questions. Established by Article Three of the United States Constitution, the composition and procedures of the Supreme Court were initially established by the 1st Congress through the Judiciary Act of 1789. As later set by the Judiciary Act of 1869, the Court consists of the chief justice of the United States and eight associate justices. Each justice has lifetime tenure, meaning they remain on the Court until they resign, retire, die, or are removed from office. [4] When a vacancy occurs, the president, with the advice and consent of the Senate, appoints a new justice. Each justice has a single vote in deciding the cases argued before it. When in majority, the chief justice decides who writes the opinion of the court; otherwise, the most senior justice in the majority assigns the task of writing the opinion. The Court meets in the Supreme Court Building in Washington, D. Its law enforcement arm is the Supreme Court Police. Earliest beginnings through Marshall. From Taney to Taft. Nomination, confirmation, and appointment. Size of the court. Justices as circuit justices. Citations to published opinions. Institutional powers and constraints. Politicization of the Court. Courts are a poor check on executive power. Federal versus state power. Judicial interference in political disputes. Not choosing enough cases to review. Accepting gifts and outside income. Landmark Supreme Court decisions (selection). Main article: History of the Supreme Court of the United States. It was while debating the separation of powers between the legislative and executive departments that delegates to the 1787 Constitutional Convention established the parameters for the national judiciary. Creating a “third branch” of government was a novel idea; in the English tradition, judicial matters had been treated as an aspect of royal (executive) authority. Early on, the delegates who were opposed to having a strong central government argued that national laws could be enforced by state courts, while others, including James Madison, advocated for a national judicial authority consisting of various tribunals chosen by the national legislature. It was also proposed that the judiciary should have a role in checking the executive’s power to veto or revise laws. In the end, the framers compromised by sketching only a general outline of the judiciary, vesting federal judicial power in “one supreme Court, and in such inferior Courts as the Congress may from time to time ordain and establish”. [5][6] They delineated neither the exact powers and prerogatives of the Supreme Court nor the organization of the judicial branch as a whole. The 1st United States Congress provided the detailed organization of a federal judiciary through the Judiciary Act of 1789. The Supreme Court, the country’s highest judicial tribunal, was to sit in the nation’s Capital and would initially be composed of a chief justice and five associate justices. The act also divided the country into judicial districts, which were in turn organized into circuits. Justices were required to “ride circuit” and hold circuit court twice a year in their assigned judicial district. Immediately after signing the act into law, President George Washington nominated the following people to serve on the court: John Jay for chief justice and John Rutledge, William Cushing, Robert H. Harrison, James Wilson, and John Blair Jr. All six were confirmed by the Senate on September 26, 1789. Harrison, however, declined to serve. In his place, Washington later nominated James Iredell. [9] A second session was held there in August 1790. [10] The earliest sessions of the court were devoted to organizational proceedings, as the first cases did not reach it until 1791. [7] When the nation’s capital was moved to Philadelphia in 1790, the Supreme Court did so as well. After initially meeting at Independence Hall, the Court established its chambers at City Hall. Main articles: Jay Court, Rutledge Court, Ellsworth Court, and Marshall Court. Barnes (1791), a case involving procedure. [12] As the Court initially had only six members, every decision that it made by a majority was also made by two-thirds (voting four to two). [13] However, Congress has always allowed less than the court’s full membership to make decisions, starting with a quorum of four justices in 1789. [14] The court lacked a home of its own and had little prestige, [15] a situation not helped by the era’s highest-profile case, Chisholm v. Georgia (1793), which was reversed within two years by the adoption of the Eleventh Amendment. [17] Under Marshall, the court established the power of judicial review over acts of Congress, [18] including specifying itself as the supreme expositor of the Constitution Marbury v. Madison[19][20] and making several important constitutional rulings that gave shape and substance to the balance of power between the federal government and states notably, Martin v. Hunter’s Lessee, McCulloch v. Maryland and Gibbons v. [21][22][23][24]. The Marshall Court also ended the practice of each justice issuing his opinion seriatim, [25] a remnant of British tradition, [26] and instead issuing a single majority opinion. [25] Also during Marshall’s tenure, although beyond the Court’s control, the impeachment and acquittal of Justice Samuel Chase in 1804-05 helped cement the principle of judicial independence. Main articles: Taney Court, Chase Court, Waite Court, Fuller Court, White Court, and Taft Court. Sill, which held that while Congress may not limit the subjects the Supreme Court may hear, it may limit the jurisdiction of the lower federal courts to prevent them from hearing cases dealing with certain subjects. [29] Nevertheless, it is primarily remembered for its ruling in Dred Scott v. Sandford, [30] which helped precipitate the Civil War. New York;[32] Adair v. New York, [34] grappled with the new antitrust statutes Standard Oil Co. Of New Jersey v. United States, upheld the constitutionality of military conscription (Selective Draft Law Cases)[35] and brought the substantive due process doctrine to its first apogee Adkins v. Main articles: Hughes Court, Stone Court, and Vinson Court. The Hughes Court in 1937, photographed by Erich Salomon. Members include Chief Justice Charles Evans Hughes (center), Louis Brandeis, Benjamin N. Cardozo, Harlan Stone, Owen Roberts, and the “Four Horsemen” Pierce Butler, James Clark McReynolds, George Sutherland, and Willis Van Devanter, who opposed New Deal policies. Filburn, United States v. Darby and United States v. [38][39][40] During World War II, the Court continued to favor government power, upholding the internment of Japanese citizens Korematsu v. United States and the mandatory pledge of allegiance Minersville School District v. Nevertheless, Gobitis was soon repudiated West Virginia State Board of Education v. Barnette, and the Steel Seizure Case restricted the pro-government trend. Main articles: Warren Court and Burger Court. [41] It held that segregation in public schools violates the equal protection clause of the fourteenth amendment Brown v. Board of Education, Bolling v. Sharpe and Green v. [42] and that legislative districts must be roughly equal in population Reynolds v. It created a general right to privacy Griswold v. Connecticut, [43] limited the role of religion in public school most prominently Engel v. Vitale and Abington School District v. Schempp, [44][45] incorporated most guarantees of the Bill of Rights against the States-prominently Mapp v. Ohio (the exclusionary rule) and Gideon v. Wainwright (right to appointed counsel), [46][47]-and required that criminal suspects be apprised of all these rights by police Miranda v. [48] At the same time, however, the Court limited defamation suits by public figures New York Times v. Sullivan and supplied the government with an unbroken run of antitrust victories. [50] It also expanded Griswold’s right to privacy to strike down abortion laws Roe v. Wade, [51] but divided deeply on affirmative action Regents of the University of California v. Bakke[52] and campaign finance regulation Buckley v. [53] It also wavered on the death penalty, ruling first that most applications were defective Furman v. Georgia, [54] but later, that the death penalty itself was not unconstitutional Gregg v. Main articles: Rehnquist Court and Roberts Court. Justices of the Supreme Court with President George W. Bush (center), October 2005. Lopez and the force of its restrictions on those powers Seminole Tribe v. Florida, City of Boerne v. [58][59][60][61][62] It struck down single-sex state schools as a violation of equal protection United States v. Virginia, laws against sodomy as violations of substantive due process Lawrence v. Texas, [63] and the line item veto Clinton v. New York, but upheld school vouchers Zelman v. Simmons-Harris and reaffirmed Roe’s restrictions on abortion laws Planned Parenthood v. [64] The Court’s decision in Bush v. Gore, which ended the electoral recount during the presidential election of 2000, was especially controversial. The Roberts Court (2005-present) is regarded as more conservative than the Rehnquist Court. [67][68][69][70] Some of its major rulings have concerned federal preemption Wyeth v. Levine, civil procedure (Twombly-Iqbal), abortion Gonzales v. Carhart, [71] climate change Massachusetts v. EPA, same-sex marriage United States v. Windsor and Obergefell v. Hodges and the Bill of Rights, notably in Citizens United v. Federal Election Commission (First Amendment), [72] Heller-McDonald (Second Amendment)[73] and Baze v. Main article: Nomination and confirmation to the Supreme Court of the United States. Article II, Section 2, Clause 2 of the United States Constitution, known as the Appointments Clause, empowers the president to nominate and, with the confirmation (advice and consent) of the United States Senate, to appoint public officials, including justices of the Supreme Court. This clause is one example of the system of checks and balances inherent in the Constitution. The president has the plenary power to nominate, while the Senate possesses the plenary power to reject or confirm the nominee. The Constitution sets no qualifications for service as a justice, thus a president may nominate anyone to serve, and the Senate may not set any qualifications or otherwise limit who the president can choose. Flowchart showing process of appointment of United States Supreme Court justices. In modern times, the confirmation process has attracted considerable attention from the press and advocacy groups, which lobby senators to confirm or to reject a nominee depending on whether their track record aligns with the group’s views. The Senate Judiciary Committee conducts hearings and votes on whether the nomination should go to the full Senate with a positive, negative or neutral report. The committee’s practice of personally interviewing nominees is relatively recent. The first nominee to appear before the committee was Harlan Fiske Stone in 1925, who sought to quell concerns about his links to Wall Street, and the modern practice of questioning began with John Marshall Harlan II in 1955. [77] Once the committee reports out the nomination, the full Senate considers it. Rejections are relatively uncommon; the Senate has explicitly rejected twelve Supreme Court nominees, most recently Robert Bork, nominated by President Ronald Reagan in 1987. Although Senate rules do not necessarily allow a negative vote in committee to block a nomination, prior to 2017 a nomination could be blocked by filibuster once debate had begun in the full Senate. Johnson’s nomination of sitting Associate Justice Abe Fortas to succeed Earl Warren as Chief Justice in 1968 was the first successful filibuster of a Supreme Court nominee. It included both Republican and Democratic senators concerned with Fortas’s ethics. President Donald Trump’s nomination of Neil Gorsuch to the seat left vacant by Antonin Scalia’s death was the second. Unlike the Fortas filibuster, however, only Democratic Senators voted against cloture on the Gorsuch nomination, citing his perceived conservative judicial philosophy, and the Republican majority’s prior refusal to take up President Barack Obama’s nomination of Merrick Garland to fill the vacancy. [78] This led the Republican majority to change the rules and eliminate the filibuster for Supreme Court nominations. Not every Supreme Court nominee has received a floor vote in the Senate. A president may withdraw a nomination before an actual confirmation vote occurs, typically because it is clear that the Senate will reject the nominee; this occurred most recently with President George W. Bush’s nomination of Harriet Miers in 2005. The Senate may also fail to act on a nomination, which expires at the end of the session. For example, President Dwight Eisenhower’s first nomination of John Marshall Harlan II in November 1954 was not acted on by the Senate; Eisenhower re-nominated Harlan in January 1955, and Harlan was confirmed two months later. Most recently, as previously noted, the Senate failed to act on the March 2016 nomination of Merrick Garland; the nomination expired in January 2017, and the vacancy was filled by Neil Gorsuch, an appointee of President Trump. Once the Senate confirms a nomination, the president must prepare and sign a commission, to which the Seal of the Department of Justice must be affixed, before the new justice can take office. [81] The seniority of an associate justice is based on the commissioning date, not the confirmation or swearing-in date. [82] The importance of commissioning is underscored by the case of Edwin M. Although appointed to the court on December 19, 1869, by President Ulysses S. Grant and confirmed by the Senate a few days later, Stanton died on December 24, prior to receiving his commission. He is not, therefore, considered to have been an actual member of the court. Before 1981, the approval process of justices was usually rapid. From the Truman through Nixon administrations, justices were typically approved within one month. From the Reagan administration to the present, however, the process has taken much longer. Some believe this is because Congress sees justices as playing a more political role than in the past. [83] According to the Congressional Research Service, the average number of days from nomination to final Senate vote since 1975 is 67 days (2.2 months), while the median is 71 days (or 2.3 months). When the Senate is in recess, a president may make temporary appointments to fill vacancies. Recess appointees hold office only until the end of the next Senate session (less than two years). The Senate must confirm the nominee for them to continue serving; of the two chief justices and eleven associate justices who have received recess appointments, only Chief Justice John Rutledge was not subsequently confirmed. No president since Dwight D. Eisenhower has made a recess appointment to the Court, and the practice has become rare and controversial even in lower federal courts. [87] In 1960, after Eisenhower had made three such appointments, the Senate passed a “sense of the Senate” resolution that recess appointments to the Court should only be made in “unusual circumstances”. [88] Such resolutions are not legally binding but are an expression of Congress’s views in the hope of guiding executive action. The Supreme Court’s 2014 decision in National Labor Relations Board v. Noel Canning limited the ability of the President to make recess appointments (including appointments to the Supreme Court); the Court ruled that the Senate decides when the Senate is in session (or in recess). Writing for the Court, Justice Breyer stated, We hold that, for purposes of the Recess Appointments Clause, the Senate is in session when it says it is, provided that, under its own rules, it retains the capacity to transact Senate business. [90] This ruling allows the Senate to prevent recess appointments through the use of pro-forma sessions. The interior of the United States Supreme Court. The Constitution provides that justices “shall hold their offices during good behavior” (unless appointed during a Senate recess). The term “good behavior” is understood to mean justices may serve for the remainder of their lives, unless they are impeached and convicted by Congress, resign, or retire. [92] Only one justice has been impeached by the House of Representatives (Samuel Chase, March 1804), but he was acquitted in the Senate (March 1805). [93] Moves to impeach sitting justices have occurred more recently for example, William O. Douglas was the subject of hearings twice, in 1953 and again in 1970; and Abe Fortas resigned while hearings were being organized in 1969, but they did not reach a vote in the House. No mechanism exists for removing a justice who is permanently incapacitated by illness or injury, but unable (or unwilling) to resign. Because justices have indefinite tenure, timing of vacancies can be unpredictable. Sometimes vacancies arise in quick succession, as in the early 1970s when Lewis F. And William Rehnquist were nominated to replace Hugo Black and John Marshall Harlan II, who retired within a week of each other. Sometimes a great length of time passes between nominations, such as the eleven years between Stephen Breyer’s nomination in 1994 to succeed Harry Blackmun and the nomination of John Roberts in 2005 to fill the seat of Sandra Day O’Connor (though Roberts’ nomination was withdrawn and resubmitted for the role of chief justice after Rehnquist died). Despite the variability, all but four presidents have been able to appoint at least one justice. William Henry Harrison died a month after taking office, though his successor (John Tyler) made an appointment during that presidential term. Likewise, Zachary Taylor died 16 months after taking office, but his successor (Millard Fillmore) also made a Supreme Court nomination before the end of that term. Andrew Johnson, who became president after the assassination of Abraham Lincoln, was denied the opportunity to appoint a justice by a reduction in the size of the court. Jimmy Carter is the only person elected president to have left office after at least one full term without having the opportunity to appoint a justice. Presidents James Monroe, Franklin D. Roosevelt, and George W. Bush each served a full term without an opportunity to appoint a justice, but made appointments during their subsequent terms in office. No president who has served more than one full term has gone without at least one opportunity to make an appointment. Article III of the Constitution sets neither the size of the Supreme Court nor any specific positions on it (though the existence of the office of the chief justice is tacitly acknowledged in Article I, Section 3, Clause 6). Instead, these powers have typically been entrusted to Congress, which initially established a six-member Supreme Court composed of a chief justice and five associate justices through the Judiciary Act of 1789. The size of the Court was first altered by an 1801 act which would have reduced the size of the court to five members upon its next vacancy, but an 1802 act promptly negated the 1801 act, legally restoring the court’s size to six members before any such vacancy occurred. As the nation’s boundaries grew across the continent and as Supreme Court justices in those days had to ride the circuit, an arduous process requiring long travel on horseback or carriage over harsh terrain that resulted in months-long extended stays away from home, Congress added justices to correspond with the growth: seven in 1807, nine in 1837, and ten in 1863. In 1866, at the behest of Chief Justice Chase and in an attempt to limit the power of Andrew Johnson, Congress passed an act providing that the next three justices to retire would not be replaced, which would thin the bench to seven justices by attrition. Consequently, one seat was removed in 1866 and a second in 1867. Roosevelt attempted to expand the Court in 1937. His proposal envisioned the appointment of one additional justice for each incumbent justice who reached the age of 70 years 6 months and refused retirement, up to a maximum bench of 15 justices. The proposal was ostensibly to ease the burden of the docket on elderly judges, but the actual purpose was widely understood as an effort to “pack” the Court with justices who would support Roosevelt’s New Deal. [98] The plan, usually called the “court-packing plan”, failed in Congress after members of Roosevelt’s own Democratic Party believed it to be unconstitutional, it was defeated 70-20 in the United States Senate and the Senate Judiciary Committee reported that it was “essential to the continuance of our constitutional democracy” that the proposal be so emphatically rejected that its parallel will never again be presented to the free representatives of the free people of America. “[99][100][101][102] It remains unclear whether it would be at all constitutional or not to expand the size of the Supreme Court in ways understood to be designed to “pack it with justices that would rule more favorably on a President’s agenda or to simply change the ideological composition of the court. See also: List of justices of the Supreme Court of the United States. There are currently nine justices on the Supreme Court: Chief Justice John Roberts and eight associate justices. Among the current members of the Court, Clarence Thomas is the longest-serving justice, with a tenure of 10,794 days (29 years, 201 days) as of May 12, 2021; the most recent justice to join the court is Amy Coney Barrett, whose tenure began on October 27, 2020. Current justices of the Supreme Court[106]. Previous position or office. (most recent prior to joining the Court). File-Official roberts CJ cropped. 15 years, 225 days. Clarence Thomas official SCOTUS portrait (cropped). 29 years, 201 days. Stephen Breyer official SCOTUS portrait crop. 26 years, 282 days. Samuel Alito official photo (cropped). 15 years, 101 days. Sonia Sotomayor in SCOTUS robe crop. The Bronx, New York. 11 years, 277 days. 10 years, 278 days. Associate Justice Neil Gorsuch Official Portrait (cropped 2). 4 years, 32 days. Associate Justice Brett Kavanaugh Official Portrait. 2 years, 218 days. This graphical timeline depicts the length of each current Supreme Court justice’s tenure (not seniority) on the Court. Further information: Demographics of the Supreme Court of the United States. The Court currently has six male and three female justices. Among the nine justices, there is one African-American justice (Justice Thomas) and one Hispanic justice (Justice Sotomayor). One of the justices was born to at least one immigrant parent: Justice Alito’s father was born in Italy. At least six justices are Roman Catholics and two are Jewish. It is unclear whether Neil Gorsuch considers himself a Catholic or an Episcopalian. [109] Historically, most justices have been Protestants, including 36 Episcopalians, 19 Presbyterians, 10 Unitarians, 5 Methodists, and 3 Baptists. [110][111] The first Catholic justice was Roger Taney in 1836, [112] and 1916 saw the appointment of the first Jewish justice, Louis Brandeis. [113] In recent years the historical situation has reversed, as most recent justices have been either Catholic or Jewish. All current justices except for Amy Coney Barrett have Ivy League backgrounds as either undergraduates or law students. Barrett received her bachelor’s degree at Rhodes College and her law degree at the University of Notre Dame. [114] Three justices are from the state of New York, and one each is from California, New Jersey, Georgia, Colorado, Louisiana and Washington, D. The first four female justices: O’Connor, Sotomayor, Ginsburg, and Kagan. For much of the Court’s history, every justice was a man of Northwestern European descent, and almost always Protestant. Diversity concerns focused on geography, to represent all regions of the country, rather than religious, ethnic, or gender diversity. [117] Racial, ethnic, and gender diversity in the Court increased in the late 20th century. Thurgood Marshall became the first African-American justice in 1967. [113] Sandra Day O’Connor became the first female justice in 1981. [113] In 1986, Antonin Scalia became the first Italian-American justice. Marshall was succeeded by African-American Clarence Thomas in 1991. [118] O’Connor was joined by Ruth Bader Ginsburg in 1993. [119] After O’Connor’s retirement Ginsburg was joined in 2009 by Sonia Sotomayor, the first Hispanic and Latina justice, [113] and in 2010 by Elena Kagan. [119] After Ginsburg’s death on September 18, 2020, Amy Coney Barrett was confirmed as the fifth woman in the Court’s history on October 26, 2020. There are currently three living retired justices of the Supreme Court of the United States: Sandra Day O’Connor, Anthony Kennedy, and David Souter. As retired justices, they no longer participate in the work of the Supreme Court, but may be designated for temporary assignments to sit on lower federal courts, usually the United States Courts of Appeals. Such assignments are formally made by the chief justice, on request of the chief judge of the lower court and with the consent of the retired justice. In recent years, Justice O’Connor has sat with several Courts of Appeals around the country, and Justice Souter has frequently sat on the First Circuit, the court of which he was briefly a member before joining the Supreme Court. The status of a retired justice is analogous to that of a circuit or district court judge who has taken senior status, and eligibility of a Supreme Court justice to assume retired status (rather than simply resign from the bench) is governed by the same age and service criteria. In recent times, justices tend to strategically plan their decisions to leave the bench with personal, institutional, ideological, partisan and sometimes even political factors playing a role. [120][121] The fear of mental decline and death often motivates justices to step down. The desire to maximize the Court’s strength and legitimacy through one retirement at a time, when the Court is in recess, and during non-presidential election years suggests a concern for institutional health. Finally, especially in recent decades, many justices have timed their departure to coincide with a philosophically compatible president holding office, to ensure that a like-minded successor would be appointed. Retired justices of the Supreme Court[106]. Sandra Day O’Connor crop. Sandra Day O’Connor. 24 years, 128 days. Anthony Kennedy official SCOTUS portrait crop. 30 years, 163 days. 18 years, 263 days. This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Find sources: “Supreme Court of the United States” – news · newspapers · books · scholar · JSTOR (January 2019) (Learn how and when to remove this template message). The current Roberts Court justices (since October 2020). Front row (left to right): Samuel Alito, Clarence Thomas, Chief Justice John Roberts, Stephen Breyer, and Sonia Sotomayor. Back row (left to right): Brett Kavanaugh, Elena Kagan, Neil Gorsuch, and Amy Coney Barrett. For the most part, the day-to-day activities of the justices are governed by rules of protocol based upon the seniority of justices. The chief justice always ranks first in the order of precedence-regardless of the length of their service. The associate justices are then ranked by the length of their service. The chief justice sits in the center on the bench, or at the head of the table during conferences. The other justices are seated in order of seniority. The senior-most associate justice sits immediately to the chief justice’s right; the second most senior sits immediately to their left. The seats alternate right to left in order of seniority, with the most junior justice occupying the last seat. Therefore, starting in the middle of the October 2020 term, the court will sit as follows from left to right, from the perspective of those facing the Court: Kavanaugh, Kagan, Alito, Thomas (most senior associate justice), Roberts (chief justice), Breyer, Sotomayor, Gorsuch, and Barrett. Likewise, when the members of the Court gather for official group photographs, justices are arranged in order of seniority, with the five most senior members seated in the front row in the same order as they would sit during Court sessions, and the four most junior justices standing behind them, again in the same order as they would sit during Court sessions. In the justices’ private conferences, current practice is for them to speak and vote in order of seniority, beginning with the chief justice first and ending with the most junior associate justice. By custom, the most junior associate justice in these conferences is charged with any menial tasks the justices may require as they convene alone, such as answering the door of their conference room, serving beverages and transmitting orders of the court to the clerk. [124] Justice Joseph Story served the longest as junior justice, from February 3, 1812, to September 1, 1823, for a total of 4,228 days. Justice Stephen Breyer follows very closely behind serving from August 3, 1994, to January 31, 2006, for a total of 4,199 days. [125] Justice Elena Kagan comes in at a distant third serving from August 6, 2010, to April 10, 2017, for a total of 2,439 days. Main article: Federal judge salaries in the United States. [126] Article III, Section 1 of the U. Constitution prohibits Congress from reducing the pay for incumbent justices. Once a justice meets age and service requirements, the justice may retire. Judicial pensions are based on the same formula used for federal employees, but a justice’s pension, as with other federal courts judges, can never be less than their salary at the time of retirement. Further information: Ideological leanings of United States Supreme Court justices. Although justices are nominated by the president in power, and receive confirmation by the Senate, justices do not represent or receive official endorsements from political parties, as is accepted practice in the legislative and executive branches. Jurists are, however, informally categorized in legal and political circles as being judicial conservatives, moderates, or liberals. Such leanings, however, generally refer to legal outlook rather than a political or legislative one. The nominations of justices are endorsed by individual politicians in the legislative branch who vote their approval[clarification needed] or disapproval of the nominated justice. The ideologies of jurists can be measured and compared with several metrics, including the Segal-Cover score, Martin-Quinn score, and Judicial Common Space score. Following the confirmation of Amy Coney Barrett in 2020, the Court currently consists of six justices appointed by Republican presidents and three appointed by Democratic presidents. It is popularly accepted that Chief Justice Roberts and associate justices Thomas, Alito, Gorsuch, Kavanaugh, and Barrett appointed by Republican presidents, compose the Court’s conservative wing. Justices Breyer, Sotomayor and Kagan, appointed by Democratic presidents, compose the Court’s liberal wing. Gorsuch had a track record as a reliably conservative judge in the 10th circuit. [129] Kavanaugh was considered one of the more conservative judges in the DC Circuit prior to his appointment to the Supreme Court. [130][131] Likewise, Barrett’s brief track record on the Seventh Circuit is conservative. [132] Prior to Justice Ginsburg’s death, Chief Justice Roberts was considered the Court’s median justice (in the middle of the ideological spectrum, with four justices more liberal and four more conservative than him), making him the ideological center of the Court. Tom Goldstein argued in an article in SCOTUSblog in 2010, that the popular view of the Supreme Court as sharply divided along ideological lines and each side pushing an agenda at every turn is “in significant part a caricature designed to fit certain preconceptions”. [135] He pointed out that in the 2009 term, almost half the cases were decided unanimously, and only about 20% were decided by a 5-to-4 vote. Barely one in ten cases involved the narrow liberal/conservative divide (fewer if the cases where Sotomayor recused herself are not included). He also pointed to several cases that defied the popular conception of the ideological lines of the Court. [136] Goldstein further argued that the large number of pro-criminal-defendant summary dismissals (usually cases where the justices decide that the lower courts significantly misapplied precedent and reverse the case without briefing or argument) were an illustration that the conservative justices had not been aggressively ideological. Likewise, Goldstein stated that the critique that the liberal justices are more likely to invalidate acts of Congress, show inadequate deference to the political process, and be disrespectful of precedent, also lacked merit: Thomas has most often called for overruling prior precedent (even if long standing) that he views as having been wrongly decided, and during the 2009 term Scalia and Thomas voted most often to invalidate legislation. According to statistics compiled by SCOTUSblog, in the twelve terms from 2000 to 2011, an average of 19 of the opinions on major issues (22%) were decided by a 5-4 vote, with an average of 70% of those split opinions decided by a Court divided along the traditionally perceived ideological lines (about 15% of all opinions issued). Over that period, the conservative bloc has been in the majority about 62% of the time that the Court has divided along ideological lines, which represents about 44% of all the 5-4 decisions. In the October 2010 term, the Court decided 86 cases, including 75 signed opinions and 5 summary reversals (where the Court reverses a lower court without arguments and without issuing an opinion on the case). [138][139] Four were decided with unsigned opinions, two cases affirmed by an equally divided Court, and two cases were dismissed as improvidently granted. Justice Kagan recused herself from 26 of the cases due to her prior role as United States Solicitor General. Of the 80 cases, 38 (about 48%, the highest percentage since the October 2005 term) were decided unanimously (9-0 or 8-0), and 16 decisions were made by a 5-4 vote (about 20%, compared to 18% in the October 2009 term, and 29% in the October 2008 term). [140] However, in fourteen of the sixteen 5-4 decisions, the Court divided along the traditional ideological lines (with Ginsburg, Breyer, Sotomayor, and Kagan on the liberal side, and Roberts, Scalia, Thomas, and Alito on the conservative, and Kennedy providing the “swing vote”). This represents 87% of those 16 cases, the highest rate in the past 10 years. The conservative bloc, joined by Kennedy, formed the majority in 63% of the 5-4 decisions, the highest cohesion rate of that bloc in the Roberts Court. The October 2017 term had a low rate of unanimous rulings, with only 39% of the cases decided by unanimous rulings, the lowest percentage since the October 2008 term when 30% of rulings were unanimous. [142] Chief Justice Roberts was in the majority most often (68 out of 73 cases, or 93.2%), with retiring Justice Anthony Kennedy in second (67 out of 73 cases, or 91.8%); this was typical of the Roberts Court, in which Roberts and Kennedy have been in the majority most frequently in all terms except for the 2013 and 2014 terms (though Kennedy was in the top on both those terms). [143] Justice Sotomayor was the justice least likely to be in the majority (in 50 out of 73 cases, or 68.5%). The highest agreement between justices was between Ginsburg and Sotomayor, who agreed on 95.8% of the cases, followed by Thomas and Alito agreeing on 93% of cases. There were 19 cases that were decided by a 5-4 vote (26% of the total cases); 74% of those cases (14 out of 19) broke along ideological lines, and for the first time in the Roberts Court, all of those resulted in a conservative majority, with Roberts, Kennedy, Thomas, Alito, and Gorsuch on the majority. The October 2018 term, which saw the replacement of Anthony Kennedy by Brett Kavanaugh, once again saw a low rate of unanimity: only 28 of 71 decided cases were decided by a unanimous court, about 39% of the cases. [144][145] Of these, only 19 cases had the Justices in total agreement. Chief Justice Roberts was once again the justice most often in the majority (61 out of 72 cases, or 85% of the time). Though Kavanaugh had a higher percentage of times in the majority, he did not participate in all cases, voting in the majority 58 out of 64 times, or 91% of the cases in which he participated. Of the justices who participated in all 72 cases, Kagan and Alito tied in second place, voting in the majority 59 out of 72 times (or 82% of the time). Looking only at cases that were not decided unanimously, Roberts and Kavanaugh were the most frequently in the majority (33 cases, with Roberts being in the majority in 75% of the divided cases, and Kavanaugh in 85% of the divided cases he participated in). Of 20 cases that were decided by a vote of 5-4, eight featured the conservative justices in the majority (Roberts, Thomas, Alito, Gorsuch, and Kavanaugh), and eight had the liberal justices (Ginsburg, Breyer, Sotomayor, and Kagan) joined by a conservative: Gorsuch was the most frequent, joining them four times, and the remaining conservative justices joining the liberals once each. The remaining 4 cases were decided by different coalitions. [145] The highest agreement between justices was between Roberts and Kavanaugh, who agreed at least in judgement 94% of the time; the second highest agreement was again between Ginsburg and Sotomayor, who agreed 93% of the time. The highest rate of full agreement was between Ginsburg and Kagan (82% of the time), closely followed by Roberts and Alito, Ginsburg and Sotomayor, and Breyer and Kagan (81% of the time). The largest rate of disagreement was between Thomas and both Ginsburg and Sotomayor; Thomas disagreed with each of them 50% of the time. Main article: United States Supreme Court Building. Supreme Court building as viewed from the front. From the 1860s until the 1930s, the court sat in the Old Senate Chamber of the U. When Philadelphia became the capital, the Court met briefly in Independence Hall before settling in Old City Hall from 1791 until 1800. After the government moved to Washington, D. The Court occupied various spaces in the United States Capitol building until 1935, when it moved into its own purpose-built home. The four-story building was designed by Cass Gilbert in a classical style sympathetic to the surrounding buildings of the Capitol and Library of Congress, and is clad in marble. The building includes the courtroom, justices’ chambers, an extensive law library, various meeting spaces, and auxiliary services including a gymnasium. The Supreme Court building is within the ambit of the Architect of the Capitol, but maintains its own police force separate from the Capitol Police. [147] Visitors may not tour the actual courtroom unaccompanied. There is a cafeteria, a gift shop, exhibits, and a half-hour informational film. [146] When the Court is in session the public may attend oral arguments, which are held twice each morning (and sometimes afternoons) on Mondays, Tuesdays, and Wednesdays in two-week intervals from October through late April, with breaks during December and February. Visitors are seated on a first-come first-served basis. One estimate is there are about 250 seats available. [149] The number of open seats varies from case to case; for important cases, some visitors arrive the day before and wait through the night. [146] Supreme Court Police are available to answer questions. Inscription on the wall of the Supreme Court Building from Marbury v. Madison, in which Chief Justice John Marshall outlined the concept of judicial review. Congress is authorized by Article III of the federal Constitution to regulate the Supreme Court’s appellate jurisdiction. The Supreme Court has original and exclusive jurisdiction over cases between two or more states[150] but may decline to hear such cases. [151] It also possesses original but not exclusive jurisdiction to hear “all actions or proceedings to which ambassadors, other public ministers, consuls, or vice consuls of foreign states are parties; all controversies between the United States and a State; and all actions or proceedings by a State against the citizens of another State or against aliens”. In 1906, the Court asserted its original jurisdiction to prosecute individuals for contempt of court in United States v. [153] The resulting proceeding remains the only contempt proceeding and only criminal trial in the Court’s history. [154][155] The contempt proceeding arose from the lynching of Ed Johnson in Chattanooga, Tennessee the evening after Justice John Marshall Harlan granted Johnson a stay of execution to allow his lawyers to file an appeal. Johnson was removed from his jail cell by a lynch mob, aided by the local sheriff who left the prison virtually unguarded, and hanged from a bridge, after which a deputy sheriff pinned a note on Johnson’s body reading: To Justice Harlan. Come get your nigger now. [154] The local sheriff, John Shipp, cited the Supreme Court’s intervention as the rationale for the lynching. The Court appointed its deputy clerk as special master to preside over the trial in Chattanooga with closing arguments made in Washington before the Supreme Court justices, who found nine individuals guilty of contempt, sentencing three to 90 days in jail and the rest to 60 days in jail. In all other cases, however, the Court has only appellate jurisdiction, including the ability to issue writs of mandamus and writs of prohibition to lower courts. It considers cases based on its original jurisdiction very rarely; almost all cases are brought to the Supreme Court on appeal. In practice, the only original jurisdiction cases heard by the Court are disputes between two or more states. [161] In the last case, an appeal may be made to the Supreme Court from a lower state court if the state’s highest court declined to hear an appeal or lacks jurisdiction to hear an appeal. For example, a decision rendered by one of the Florida District Courts of Appeal can be appealed to the U. Supreme Court if (a) the Supreme Court of Florida declined to grant certiorari, e. Or (b) the district court of appeal issued a per curiam decision simply affirming the lower court’s decision without discussing the merits of the case, since the Supreme Court of Florida lacks jurisdiction to hear appeals of such decisions. [162] The power of the Supreme Court to consider appeals from state courts, rather than just federal courts, was created by the Judiciary Act of 1789 and upheld early in the Court’s history, by its rulings in Martin v. Hunter’s Lessee (1816) and Cohens v. The Supreme Court is the only federal court that has jurisdiction over direct appeals from state court decisions, although there are several devices that permit so-called “collateral review” of state cases. It has to be noted that this “collateral review” often only applies to individuals on death row and not through the regular judicial system. Since Article Three of the United States Constitution stipulates that federal courts may only entertain “cases” or “controversies”, the Supreme Court cannot decide cases that are moot and it does not render advisory opinions, as the supreme courts of some states may do. For example, in DeFunis v. 312 (1974), the Court dismissed a lawsuit challenging the constitutionality of a law school affirmative action policy because the plaintiff student had graduated since he began the lawsuit, and a decision from the Court on his claim would not be able to redress any injury he had suffered. However, the Court recognizes some circumstances where it is appropriate to hear a case that is seemingly moot. If an issue is “capable of repetition yet evading review”, the Court will address it even though the party before the Court would not themselves be made whole by a favorable result. 113 (1973), and other abortion cases, the Court addresses the merits of claims pressed by pregnant women seeking abortions even if they are no longer pregnant because it takes longer than the typical human gestation period to appeal a case through the lower courts to the Supreme Court. Another mootness exception is voluntary cessation of unlawful conduct, in which the Court considers the probability of recurrence and plaintiff’s need for relief. The United States is divided into thirteen circuit courts of appeals, each of which is assigned a “circuit justice” from the Supreme Court. Although this concept has been in continuous existence throughout the history of the republic, its meaning has changed through time. Under the Judiciary Act of 1789, each justice was required to “ride circuit”, or to travel within the assigned circuit and consider cases alongside local judges. This practice encountered opposition from many justices, who cited the difficulty of travel. Moreover, there was a potential for a conflict of interest on the Court if a justice had previously decided the same case while riding circuit. Circuit riding ended in 1901, when the Circuit Court of Appeals Act was passed, and circuit riding was officially abolished by Congress in 1911. The circuit justice for each circuit is responsible for dealing with certain types of applications that, under the Court’s rules, may be addressed by a single justice. These include applications for emergency stays (including stays of execution in death-penalty cases) and injunctions pursuant to the All Writs Act arising from cases within that circuit, as well as routine requests such as requests for extensions of time. In the past, when? Circuit justices also sometimes ruled on motions for bail in criminal cases, writs of habeas corpus, and applications for writs of error granting permission to appeal. Ordinarily, a justice will resolve such an application by simply endorsing it “granted” or “denied” or entering a standard form of order. However, the justice may elect to write an opinion-referred to as an in-chambers opinion-in such matters if they wish. A circuit justice may sit as a judge on the Court of Appeals of that circuit, but over the past hundred years, this has rarely occurred. A circuit justice sitting with the Court of Appeals has seniority over the chief judge of the circuit. The chief justice has traditionally been assigned to the District of Columbia Circuit, the Fourth Circuit (which includes Maryland and Virginia, the states surrounding the District of Columbia), and since it was established, the Federal Circuit. Each associate justice is assigned to one or two judicial circuits. As of November 20, 2020, the allotment of the justices among the circuits is as follows:[166]. District of Columbia Circuit. Six of the current justices are assigned to circuits on which they previously sat as circuit judges: Chief Justice Roberts D. Circuit, Justice Breyer (First Circuit), Justice Sotomayor (Second Circuit), Justice Alito (Third Circuit), Justice Barrett (Seventh Circuit), and Justice Gorsuch (Tenth Circuit). Main article: Procedures of the Supreme Court of the United States. A term of the Supreme Court commences on the first Monday of each October, and continues until June or early July of the following year. Each term consists of alternating periods of around two weeks known as “sittings” and “recesses”. Justices hear cases and deliver rulings during sittings; they discuss cases and write opinions during recesses. Nearly all cases come before the court by way of petitions for writs of certiorari, commonly referred to as “cert”. The Court may review any case in the federal courts of appeals “by writ of certiorari granted upon the petition of any party to any civil or criminal case”. [167] The Court may only review “final judgments rendered by the highest court of a state in which a decision could be had” if those judgments involve a question of federal statutory or constitutional law. [168] The party that appealed to the Court is the petitioner and the non-mover is the respondent. All case names before the Court are styled petitioner v. Respondent, regardless of which party initiated the lawsuit in the trial court. For example, criminal prosecutions are brought in the name of the state and against an individual, as in State of Arizona v. If the defendant is convicted, and his conviction then is affirmed on appeal in the state supreme court, when he petitions for cert the name of the case becomes Miranda v. There are situations where the Court has original jurisdiction, such as when two states have a dispute against each other, or when there is a dispute between the United States and a state. In such instances, a case is filed with the Supreme Court directly. Examples of such cases include United States v. Texas, a case to determine whether a parcel of land belonged to the United States or to Texas, and Virginia v. Tennessee, a case turning on whether an incorrectly drawn boundary between two states can be changed by a state court, and whether the setting of the correct boundary requires Congressional approval. Although it has not happened since 1794 in the case of Georgia v. Brailsford, [169] parties in an action at law in which the Supreme Court has original jurisdiction may request that a jury determine issues of fact. Brailsford remains the only case in which the court has empaneled a jury, in this case a special jury. [171] Two other original jurisdiction cases involve colonial era borders and rights under navigable waters in New Jersey v. Delaware, and water rights between riparian states upstream of navigable waters in Kansas v. A cert petition is voted on at a session of the court called a conference. A conference is a private meeting of the nine Justices by themselves; the public and the Justices’ clerks are excluded. The rule of four permits four of the nine justices to grant a writ of certiorari. If it is granted, the case proceeds to the briefing stage; otherwise, the case ends. Except in death penalty cases and other cases in which the Court orders briefing from the respondent, the respondent may, but is not required to, file a response to the cert petition. The court grants a petition for cert only for “compelling reasons”, spelled out in the court’s Rule 10. Resolving a conflict in the interpretation of a federal law or a provision of the federal Constitution. Correcting an egregious departure from the accepted and usual course of judicial proceedings. Resolving an important question of federal law, or to expressly review a decision of a lower court that conflicts directly with a previous decision of the Court. When a conflict of interpretations arises from differing interpretations of the same law or constitutional provision issued by different federal circuit courts of appeals, lawyers call this situation a “circuit split”. If the court votes to deny a cert petition, as it does in the vast majority of such petitions that come before it, it does so typically without comment. A denial of a cert petition is not a judgment on the merits of a case, and the decision of the lower court stands as the case’s final ruling. To manage the high volume of cert petitions received by the Court each year (of the more than 7,000 petitions the Court receives each year, it will usually request briefing and hear oral argument in 100 or fewer), the Court employs an internal case management tool known as the “cert pool”. Currently, all justices except for Justices Alito and Gorsuch participate in the cert pool. [172][173][174][175]. A man speaking at a lectern before two supreme court justices. Waxman at oral argument presents his case and answers questions from the justices. When the Court grants a cert petition, the case is set for oral argument. Both parties will file briefs on the merits of the case, as distinct from the reasons they may have argued for granting or denying the cert petition. With the consent of the parties or approval of the Court, amici curiae, or “friends of the court”, may also file briefs. The Court holds two-week oral argument sessions each month from October through April. Each side has thirty minutes to present its argument (the Court may choose to give more time, though this is rare), [176] and during that time, the Justices may interrupt the advocate and ask questions. The petitioner gives the first presentation, and may reserve some time to rebut the respondent’s arguments after the respondent has concluded. Amici curiae may also present oral argument on behalf of one party if that party agrees. The Court advises counsel to assume that the Justices are familiar with and have read the briefs filed in a case. In order to plead before the court, an attorney must first be admitted to the court’s bar. Approximately 4,000 lawyers join the bar each year. The bar contains an estimated 230,000 members. In reality, pleading is limited to several hundred attorneys. Attorneys can be admitted as either individuals or as groups. The group admission is held before the current justices of the Supreme Court, wherein the chief justice approves a motion to admit the new attorneys. [177] Lawyers commonly apply for the cosmetic value of a certificate to display in their office or on their resume. They also receive access to better seating if they wish to attend an oral argument. [178] Members of the Supreme Court Bar are also granted access to the collections of the Supreme Court Library. At the conclusion of oral argument, the case is submitted for decision. Cases are decided by majority vote of the Justices. It is the Court’s practice to issue decisions in all cases argued in a particular term by the end of that term. Within that term, however, the Court is under no obligation to release a decision within any set time after oral argument. After the oral argument is concluded, usually in the same week as the case was submitted, the Justices retire to another conference at which the preliminary votes are tallied and the Court sees which side has prevailed. One of the Justices in the majority is then assigned to write the Court’s opinion-also known as the “majority opinion”. This assignment is made by the most senior Justice in the majority (with the Chief Justice always being considered the most senior). Drafts of the Court’s opinion circulate among the Justices until the Court is prepared to announce the judgment in a particular case. [180] Justices are free to change their votes on a case up until the decision is finalized and published. In any given case, a Justice is free to choose whether or not to author an opinion or else simply join the majority or another Justice’s opinion. There are several primary types of opinions. Opinion of the Court: this is the binding decision of the Supreme Court. An opinion that more than half of the Justices join (usually at least five Justices, since there are nine Justices in total; but in cases where some Justices do not participate it could be fewer) is known as “majority opinion” and creates binding precedent in American law. Whereas an opinion that fewer than half of the Justices join is known as a “plurality opinion” and is only partially binding precedent. Concurring: when a Justice “concurs”, he or she agrees with and joins the majority opinion but authors a separate concurrence to give additional explanations, rationales, or commentary. Concurrences do not create binding precedent. Concurring in the judgment: when a justice “concurs in the judgment”, he or she agrees with the outcome the Court reached but disagrees with its reasons for doing so. A justice in this situation does not join the majority opinion. Like regular concurrences, these do not create binding precedent. Dissent: a dissenting Justice disagrees with the outcome the Court reached and its reasoning. Justices who dissent from a decision may author their own dissenting opinions or, if there are multiple dissenting Justices in a decision, may join another Justice’s dissent. Dissents do not create binding precedent. A justice may also join only part(s) of a particular decision, and may even agree with some parts of the outcome and disagree with others. It is possible that, through recusals or vacancies, the Court divides evenly on a case. If that occurs, then the decision of the court below is affirmed, but does not establish binding precedent. In effect, it results in a return to the status quo ante. For a case to be heard, there must be a quorum of at least six justices. [182] If a quorum is not available to hear a case and a majority of qualified justices believes that the case cannot be heard and determined in the next term, then the judgment of the court below is affirmed as if the Court had been evenly divided. For cases brought to the Supreme Court by direct appeal from a United States District Court, the chief justice may order the case remanded to the appropriate U. Court of Appeals for a final decision there. [183] This has only occurred once in U. History, in the case of United States v. The Court’s opinions are published in three stages. First, a slip opinion is made available on the Court’s web site and through other outlets. Next, several opinions and lists of the court’s orders are bound together in paperback form, called a preliminary print of United States Reports, the official series of books in which the final version of the Court’s opinions appears. About a year after the preliminary prints are issued, a final bound volume of U. The individual volumes of U. Reports are numbered so that users may cite this set of reports (or a competing version published by another commercial legal publisher but containing parallel citations) to allow those who read their pleadings and other briefs to find the cases quickly and easily. As of January 2019, there are. Final bound volumes of U. Reports: 569 volumes, covering cases through June 13, 2013 (part of the October 2012 term). As of March 2012, the U. Reports have published a total of 30,161 Supreme Court opinions, covering the decisions handed down from February 1790 to March 2012. [citation needed] This figure does not reflect the number of cases the Court has taken up, as several cases can be addressed by a single opinion see, for example, Parents v. Seattle, where Meredith v. Jefferson County Board of Education was also decided in the same opinion; by a similar logic, Miranda v. Arizona actually decided not only Miranda but also three other cases: Vignera v. New York, Westover v. United States, and California v. A more unusual example is The Telephone Cases, which are a single set of interlinked opinions that take up the entire 126th volume of the U. Opinions are also collected and published in two unofficial, parallel reporters: Supreme Court Reporter, published by West (now a part of Thomson Reuters), and United States Supreme Court Reports, Lawyers’ Edition (simply known as Lawyers’ Edition), published by LexisNexis. In court documents, legal periodicals and other legal media, case citations generally contain cites from each of the three reporters; for example, citation to Citizens United v. Federal Election Commission is presented as Citizens United v. Federal Election Com’n, 585 U. 2d 753 (2010), with S. ” representing the Supreme Court Reporter, and “L. Representing the Lawyers’ Edition. Further information: Case citation § Supreme Court of the United States. Lawyers use an abbreviated format to cite cases, in the form vol U. Page, pin (year), where vol is the volume number, page is the page number on which the opinion begins, and year is the year in which the case was decided. Optionally, pin is used to “pinpoint” to a specific page number within the opinion. For instance, the citation for Roe v. Wade is 410 U. 113 (1973), which means the case was decided in 1973 and appears on page 113 of volume 410 of U. For opinions or orders that have not yet been published in the preliminary print, the volume and page numbers may be replaced with “___”. The Federal court system and the judicial authority to interpret the Constitution received little attention in the debates over the drafting and ratification of the Constitution. The power of judicial review, in fact, is nowhere mentioned in it. Over the ensuing years, the question of whether the power of judicial review was even intended by the drafters of the Constitution was quickly frustrated by the lack of evidence bearing on the question either way. [190] Nevertheless, the power of judiciary to overturn laws and executive actions it determines are unlawful or unconstitutional is a well-established precedent. Many of the Founding Fathers accepted the notion of judicial review; in Federalist No. 78, Alexander Hamilton wrote: A Constitution is, in fact, and must be regarded by the judges, as a fundamental law. It therefore belongs to them to ascertain its meaning, as well as the meaning of any particular act proceeding from the legislative body. If there should happen to be an irreconcilable variance between the two, that which has the superior obligation and validity ought, of course, to be preferred; or, in other words, the Constitution ought to be preferred to the statute. The Supreme Court firmly established its power to declare laws unconstitutional in Marbury v. Madison (1803), consummating the American system of checks and balances. In explaining the power of judicial review, Chief Justice John Marshall stated that the authority to interpret the law was the particular province of the courts, part of the duty of the judicial department to say what the law is. His contention was not that the Court had privileged insight into constitutional requirements, but that it was the constitutional duty of the judiciary, as well as the other branches of government, to read and obey the dictates of the Constitution. Since the founding of the republic, there has been a tension between the practice of judicial review and the democratic ideals of egalitarianism, self-government, self-determination and freedom of conscience. At one pole are those who view the Federal Judiciary and especially the Supreme Court as being “the most separated and least checked of all branches of government”. [191] Indeed, federal judges and justices on the Supreme Court are not required to stand for election by virtue of their tenure “during good behavior”, and their pay may “not be diminished” while they hold their position (Section 1 of Article Three). Though subject to the process of impeachment, only one Justice has ever been impeached and no Supreme Court Justice has been removed from office. At the other pole are those who view the judiciary as the least dangerous branch, with little ability to resist the exhortations of the other branches of government. The Supreme Court, it is noted, cannot directly enforce its rulings; instead, it relies on respect for the Constitution and for the law for adherence to its judgments. One notable instance of nonacquiescence came in 1832, when the state of Georgia ignored the Supreme Court’s decision in Worcester v. President Andrew Jackson, who sided with the Georgia courts, is supposed to have remarked, John Marshall has made his decision; now let him enforce it! ;[192] however, this alleged quotation has been disputed. [citation needed] Some state governments in the South also resisted the desegregation of public schools after the 1954 judgment Brown v. More recently, many feared that President Nixon would refuse to comply with the Court’s order in United States v. Nixon (1974) to surrender the Watergate tapes. [193][citation needed] Nixon, however, ultimately complied with the Supreme Court’s ruling. Supreme Court decisions can be (and have been) purposefully overturned by constitutional amendment, which has happened on five occasions. Georgia (1793) – overturned by the Eleventh Amendment (1795). Sandford (1857) – overturned by the Thirteenth Amendment (1865) and the Fourteenth Amendment (1868). Farmers’ Loan & Trust Co. (1895) – overturned by the Sixteenth Amendment (1913). Happersett (1875) – overturned by the Nineteenth Amendment (1920). Mitchell (1970) – overturned by the Twenty-sixth Amendment (1971). When the Court rules on matters involving the interpretation of laws rather than of the Constitution, simple legislative action can reverse the decisions for example, in 2009 Congress passed the Lilly Ledbetter act, superseding the limitations given in Ledbetter v. Goodyear Tire & Rubber Co. Also, the Supreme Court is not immune from political and institutional consideration: lower federal courts and state courts sometimes resist doctrinal innovations, as do law enforcement officials. In addition, the other two branches can restrain the Court through other mechanisms. Congress can increase the number of justices, giving the President power to influence future decisions by appointments (as in Roosevelt’s Court Packing Plan discussed above). Congress can pass legislation that restricts the jurisdiction of the Supreme Court and other federal courts over certain topics and cases: this is suggested by language in Section 2 of Article Three, where the appellate jurisdiction is granted with such Exceptions, and under such Regulations as the Congress shall make. The Court sanctioned such congressional action in the Reconstruction case ex parte McCardle (1869), though it rejected Congress’ power to dictate how particular cases must be decided in United States v. On the other hand, through its power of judicial review, the Supreme Court has defined the scope and nature of the powers and separation between the legislative and executive branches of the federal government; for example, in United States v. (1936), Dames & Moore v. Regan (1981), and notably in Goldwater v. Carter (1979) (where it effectively gave the Presidency the power to terminate ratified treaties without the consent of Congress). The Court’s decisions can also impose limitations on the scope of Executive authority, as in Humphrey’s Executor v. United States (1935), the Steel Seizure Case (1952), and United States v. Further information: List of law clerks of the Supreme Court of the United States. Each Supreme Court justice hires several law Clerks to review petitions for writ of certiorari, research them, prepare bench memorandums, and draft opinions. Associate justices are allowed four clerks. The chief justice is allowed five clerks, but Chief Justice Rehnquist hired only three per year, and Chief Justice Roberts usually hires only four. [195] Generally, law clerks serve a term of one to two years. The first law clerk was hired by Associate Justice Horace Gray in 1882. [195][196] Oliver Wendell Holmes, Jr. And Louis Brandeis were the first Supreme Court justices to use recent law school graduates as clerks, rather than hiring a “stenographer-secretary”. [197] Most law clerks are recent law school graduates. The first female clerk was Lucile Lomen, hired in 1944 by Justice William O. [195] The first African-American, William T. Was hired in 1948 by Justice Felix Frankfurter. [195] A disproportionately large number of law clerks have obtained law degrees from elite law schools, especially Harvard, Yale, the University of Chicago, Columbia, and Stanford. From 1882 to 1940, 62% of law clerks were graduates of Harvard Law School. [195] Those chosen to be Supreme Court law clerks usually have graduated in the top of their law school class and were often an editor of the law review or a member of the moot court board. By the mid-1970s, clerking previously for a judge in a federal court of appeals had also become a prerequisite to clerking for a Supreme Court justice. Nine Supreme Court justices previously clerked for other justices: Byron White for Frederick M. Vinson, John Paul Stevens for Wiley Rutledge, William Rehnquist for Robert H. Jackson, Stephen Breyer for Arthur Goldberg, John Roberts for William Rehnquist, Elena Kagan for Thurgood Marshall, Neil Gorsuch for both Byron White and Anthony Kennedy, Brett Kavanaugh also for Kennedy, and Amy Coney Barrett for Antonin Scalia. Justices Gorsuch and Kavanaugh served under Kennedy during the same term. Gorsuch is the first justice to clerk for and subsequently serve alongside the same justice, serving alongside Kennedy from April 2017 through Kennedy’s retirement in 2018. With the confirmation of Justice Kavanaugh, for the first time a majority of the Supreme Court was composed of former Supreme Court law clerks (Roberts, Breyer, Kagan, Gorsuch and Kavanaugh, now joined by Barrett). Several current Supreme Court justices have also clerked in the federal courts of appeals: John Roberts for Judge Henry Friendly of the United States Court of Appeals for the Second Circuit, Justice Samuel Alito for Judge Leonard I. Garth of the United States Court of Appeals for the Third Circuit, Elena Kagan for Judge Abner J. Mikva of the United States Court of Appeals for the District of Columbia Circuit, Neil Gorsuch for Judge David B. Sentelle of the United States Court of Appeals for the District of Columbia, Brett Kavanaugh for Judge Walter Stapleton of the United States Court of Appeals for the Third Circuit and Judge Alex Kozinski of the United States Court of Appeals for the Ninth Circuit, and Amy Coney Barrett for Judge Laurence Silberman of the U. Court of Appeals for the D. Clerks hired by each of the justices of the Supreme Court are often given considerable leeway in the opinions they draft. “Supreme Court clerkship appeared to be a nonpartisan institution from the 1940s into the 1980s, ” according to a study published in 2009 by the law review of Vanderbilt University Law School. [199][200] “As law has moved closer to mere politics, political affiliations have naturally and predictably become proxies for the different political agendas that have been pressed in and through the courts, ” former federal court of appeals judge J. Garrow, professor of history at the University of Cambridge, stated that the Court had thus begun to mirror the political branches of government. “We are getting a composition of the clerk workforce that is getting to be like the House of Representatives, ” Professor Garrow said. Each side is putting forward only ideological purists. According to the Vanderbilt Law Review study, this politicized hiring trend reinforces the impression that the Supreme Court is “a superlegislature responding to ideological arguments rather than a legal institution responding to concerns grounded in the rule of law”. [199] A poll conducted in June 2012 by The New York Times and CBS News showed just 44% of Americans approve of the job the Supreme Court is doing. Three-quarters said justices’ decisions are sometimes influenced by their political or personal views. [201] One study, using four-year panel data, found that public opinion of the Supreme Court was highly stable over time. The Supreme Court has been the object of criticisms on a range of issues. The Supreme Court has been criticized for not keeping within Constitutional bounds by engaging in judicial activism, rather than merely interpreting law and exercising judicial restraint. Claims of judicial activism are not confined to any particular ideology. [203] An often cited example of conservative judicial activism is the 1905 decision in Lochner v. New York, which has been criticized by many prominent thinkers, including Robert Bork, Justice Antonin Scalia, and Chief Justice John Roberts, [203][204] and which was reversed in the 1930s. An often cited example of liberal judicial activism is Roe v. Wade (1973), which legalized abortion on the basis of the “right to privacy” inferred from the Fourteenth Amendment, a reasoning that some critics argued was circuitous. [203] Legal scholars, [208][209] justices, [210] and presidential candidates[211] have criticized the Roe decision. The progressive Brown v. Board of Education decision banning racial segregation in public schools has been criticized by conservatives such as Patrick Buchanan, [212] former Associate Justice nominee and Solicitor General Robert Bork[213] and former presidential contender Barry Goldwater. More recently, Citizens United v. Federal Election Commission was criticized for expanding upon the precedent in First National Bank of Boston v. Bellotti (1978) that the First Amendment applies to corporations, including campaign spending. [215] President Abraham Lincoln warned, referring to the Dred Scott decision, that if government policy became irrevocably fixed by decisions of the Supreme Court… The people will have ceased to be their own rulers. “[216] Former justice Thurgood Marshall justified judicial activism with these words: “You do what you think is right and let the law catch up. During different historical periods, the Court has leaned in different directions. [218][219] Critics from both sides complain that activist judges abandon the Constitution and substitute their own views instead. [220][221][222] Critics include writers such as Andrew Napolitano, [223] Phyllis Schlafly, [224] Mark R. Levin, [225] Mark I. Sutherland, [226] and James MacGregor Burns. [227][228] Past presidents from both parties have attacked judicial activism, including Franklin D. Roosevelt, Richard Nixon, and Ronald Reagan. [229][230] Failed Supreme Court nominee Robert Bork wrote: What judges have wrought is a coup d’état, – slow-moving and genteel, but a coup d’état nonetheless. “[231] Brian Leiter wrote that “Given the complexity of the law and the complexity involved in saying what really happened in a given dispute, all judges, and especially those on the Supreme Court, often have to exercise a quasi-legislative power, ” and “Supreme Court nominations are controversial because the court is a super-legislature, and because its moral and political judgments are controversial. Court decisions have been criticized for failing to protect individual rights: the Dred Scott (1857) decision upheld slavery;[233] Plessy v. Ferguson (1896) upheld segregation under the doctrine of separate but equal;[234] Kelo v. City of New London (2005) was criticized by prominent politicians, including New Jersey governor Jon Corzine, as undermining property rights. [235][236] Some critics suggest the 2009 bench with a conservative majority has “become increasingly hostile to voters” by siding with Indiana’s voter identification laws which tend to “disenfranchise large numbers of people without driver’s licenses, especially poor and minority voters”, according to one report. [237] Senator Al Franken criticized the Court for “eroding individual rights”. [238] However, others argue that the Court is too protective of some individual rights, particularly those of people accused of crimes or in detention. For example, Chief Justice Warren Burger was an outspoken critic of the exclusionary rule, and Justice Scalia criticized the Court’s decision in Boumediene v. Bush for being too protective of the rights of Guantanamo detainees, on the grounds that habeas corpus was “limited” to sovereign territory. This criticism is related to complaints about judicial activism. George Will wrote that the Court has an “increasingly central role in American governance”. [240] It was criticized for intervening in bankruptcy proceedings regarding ailing carmaker Chrysler Corporation in 2009. [241] A reporter wrote that “Justice Ruth Bader Ginsburg’s intervention in the Chrysler bankruptcy” left open the “possibility of further judicial review” but argued overall that the intervention was a proper use of Supreme Court power to check the executive branch. Burger, before becoming Chief Justice, argued that since the Supreme Court has such “unreviewable power” it is likely to “self-indulge itself” and unlikely to “engage in dispassionate analysis”. [242] Larry Sabato wrote excessive authority has accrued to the federal courts, especially the Supreme Court. British constitutional scholar Adam Tomkins sees flaws in the American system of having courts (and specifically the Supreme Court) act as checks on the Executive and Legislative branches; he argues that because the courts must wait, sometimes for years, for cases to navigate their way through the system, their ability to restrain other branches is severely weakened. [244][245] In contrast, various other countries have a dedicated constitutional court that has original jurisdiction on constitutional claims brought by persons or political institutions; for example, the Federal Constitutional Court of Germany, which can declare a law unconstitutional when challenged. There has been debate throughout American history about the boundary between federal and state power. While Framers such as James Madison[246] and Alexander Hamilton[247] argued in The Federalist Papers that their then-proposed Constitution would not infringe on the power of state governments, [248][249][250][251] others argue that expansive federal power is good and consistent with the Framers’ wishes. [252] The Tenth Amendment to the United States Constitution explicitly grants powers not delegated to the United States by the Constitution, nor prohibited by it to the States, are reserved to the States respectively, or to the people. The Court has been criticized for giving the federal government too much power to interfere with state authority. One criticism is that it has allowed the federal government to misuse the Commerce Clause by upholding regulations and legislation which have little to do with interstate commerce, but that were enacted under the guise of regulating interstate commerce; and by voiding state legislation for allegedly interfering with interstate commerce. For example, the Commerce Clause was used by the Fifth Circuit Court of Appeals to uphold the Endangered Species Act, thus protecting six endemic species of insect near Austin, Texas, despite the fact that the insects had no commercial value and did not travel across state lines; the Supreme Court let that ruling stand without comment in 2005. [253] Chief Justice John Marshall asserted Congress’s power over interstate commerce was “complete in itself, may be exercised to its utmost extent, and acknowledges no limitations, other than are prescribed in the Constitution”. [254] Justice Alito said congressional authority under the Commerce Clause is “quite broad”. [255] Modern day theorist Robert B. Reich suggests debate over the Commerce Clause continues today. Advocates of states’ rights such as constitutional scholar Kevin Gutzman have also criticized the Court, saying it has misused the Fourteenth Amendment to undermine state authority. Justice Brandeis, in arguing for allowing the states to operate without federal interference, suggested that states should be laboratories of democracy. [256] One critic wrote the great majority of Supreme Court rulings of unconstitutionality involve state, not federal, law. “[257] However, others see the Fourteenth Amendment as a positive force that extends “protection of those rights and guarantees to the state level. [258] More recently, the issue of federal power is central in the prosecution of Gamble v. United States, which is examining the doctrine of “separate sovereigns”, whereby a criminal defendant can be prosecuted by a state court and then by a federal court. The Court has been criticized for keeping its deliberations hidden from public view. [261] According to a review of Jeffrey Toobin’s 2007 expose The Nine: Inside the Secret World of the Supreme Court; Its inner workings are difficult for reporters to cover, like a closed’cartel’, only revealing itself through’public events and printed releases, with nothing about its inner workings. “[262] The reviewer writes: “few (reporters) dig deeply into court affairs. It all works very neatly; the only ones hurt are the American people, who know little about nine individuals with enormous power over their lives. “[262] Larry Sabato complains about the Court’s “insularity. [243] A Fairleigh Dickinson University poll conducted in 2010 found that 61% of American voters agreed that televising Court hearings would “be good for democracy”, and 50% of voters stated they would watch Court proceedings if they were televised. [263][264] More recently, several justices have appeared on television, written books and made public statements to journalists. [265][266] In a 2009 interview on C-SPAN, journalists Joan Biskupic (of USA Today) and Lyle Denniston (of SCOTUSblog) argued that the Court is a “very open” institution with only the justices’ private conferences inaccessible to others. [265] In October 2010, the Court began the practice of posting on its website recordings and transcripts of oral arguments on the Friday after they occur. Some Court decisions have been criticized for injecting the Court into the political arena, and deciding questions that are the purview of the other two branches of government. Gore decision, in which the Supreme Court intervened in the 2000 presidential election and effectively chose George W. Bush over Al Gore, has been criticized extensively, particularly by liberals. [262][267][268][269][270][271] Another example are Court decisions on apportionment and re-districting: in Baker v. Carr, the court decided it could rule on apportionment questions; Justice Frankfurter in a “scathing dissent” argued against the court wading into so-called political questions. Senator Arlen Specter said the Court should “decide more cases”. [238] On the other hand, although Justice Scalia acknowledged in a 2009 interview that the number of cases that the Court heard then was smaller than when he first joined the Supreme Court, he also stated that he had not changed his standards for deciding whether to review a case, nor did he believe his colleagues had changed their standards. He attributed the high volume of cases in the late 1980s, at least in part, to an earlier flurry of new federal legislation that was making its way through the courts. Critic Larry Sabato wrote: The insularity of lifetime tenure, combined with the appointments of relatively young attorneys who give long service on the bench, produces senior judges representing the views of past generations better than views of the current day. [243] Sanford Levinson has been critical of justices who stayed in office despite medical deterioration based on longevity. [273] James MacGregor Burns stated lifelong tenure has “produced a critical time lag, with the Supreme Court institutionally almost always behind the times”. [227] Proposals to solve these problems include term limits for justices, as proposed by Levinson[274] and Sabato[243][275] as well as a mandatory retirement age proposed by Richard Epstein, [276] among others. [277] However, others suggest lifetime tenure brings substantial benefits, such as impartiality and freedom from political pressure. Alexander Hamilton in Federalist 78 wrote nothing can contribute so much to its firmness and independence as permanency in office. The 21st century has seen increased scrutiny of justices accepting expensive gifts and travel. All of the members of the Roberts Court have accepted travel or gifts. [280] Justice Scalia and others took dozens of expensive trips to exotic locations paid for by private donors. [281] Private events sponsored by partisan groups that are attended by both the justices and those who have an interest in their decisions have raised concerns about access and inappropriate communications. [282] Stephen Spaulding, the legal director at Common Cause, said: There are fair questions raised by some of these trips about their commitment to being impartial. This item is in the category “Collectibles\Autographs\Political\Other Political Autographs”. The seller is “memorabilia111″ and is located in this country: US. This item can be shipped to United States, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech Republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, China, Sweden, Korea, South, Indonesia, Taiwan, South Africa, Thailand, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Bahamas, Israel, Mexico, New Zealand, Philippines, Singapore, Switzerland, Norway, Saudi Arabia, United Arab Emirates, Qatar, Kuwait, Bahrain, Croatia, Republic of, Malaysia, Brazil, Chile, Colombia, Costa Rica, Dominican Republic, Panama, Trinidad and Tobago, Guatemala, El Salvador, Honduras, Jamaica, Antigua and Barbuda, Aruba, Belize, Dominica, Grenada, Saint Kitts-Nevis, Saint Lucia, Montserrat, Turks and Caicos Islands, Barbados, Bangladesh, Bermuda, Brunei Darussalam, Bolivia, Ecuador, Egypt, French Guiana, Guernsey, Gibraltar, Guadeloupe, Iceland, Jersey, Jordan, Cambodia, Cayman Islands, Liechtenstein, Sri Lanka, Luxembourg, Monaco, Macau, Martinique, Maldives, Nicaragua, Oman, Peru, Pakistan, Paraguay, Reunion, Vietnam, Uruguay.
Supreme Court Signed Check William Day Autograph 1880

Jerry Stiller & Anne Mears Signed Contract 1968 Very Young Pre Seinfeld

jerry
Jerry Stiller & Anne Mears Signed Contract 1968 Very Young Pre Seinfeld
Jerry Stiller & Anne Mears Signed Contract 1968 Very Young Pre Seinfeld
Jerry Stiller & Anne Mears Signed Contract 1968 Very Young Pre Seinfeld
Jerry Stiller & Anne Mears Signed Contract 1968 Very Young Pre Seinfeld
Jerry Stiller & Anne Mears Signed Contract 1968 Very Young Pre Seinfeld
Jerry Stiller & Anne Mears Signed Contract 1968 Very Young Pre Seinfeld
Jerry Stiller & Anne Mears Signed Contract 1968 Very Young Pre Seinfeld
Jerry Stiller & Anne Mears Signed Contract 1968 Very Young Pre Seinfeld
Jerry Stiller & Anne Mears Signed Contract 1968 Very Young Pre Seinfeld

Jerry Stiller & Anne Mears Signed Contract 1968 Very Young Pre Seinfeld
A MULTI PAGE CONTRACT WITH WILLIAM MORRIS AGENCY INFORMATION AS WELL AS A VINTAGE 8X10 IONCH PHOTO OF COMEDY TEAM LEGENDS JERRY STILLER AND ANNE MEARA FROM 1968. Gerald Isaac Stiller was an American actor, comedian and author. He spent many years as part of the comedy duo Stiller and Meara with his wife, Anne Meara, to whom he was married for over 60 years until her death in 2015. Anne Meara Stiller was an American actress and comedian. Along with her husband Jerry Stiller, she was one-half of a prominent 1960s comedy team, Stiller and Meara. Their son is actor Ben Stiller. She was also featured on stage, in television, and in numerous films, and later she became a playwright. Anne Meara Stiller (September 20, 1929 – May 23, 2015) was an American actress and comedian. During her career, Meara was nominated for four Emmy Awards and a Tony Award, and she won a Writers Guild Award as a co-writer for the TV movie The Other Woman. Television, stage, film, video. Meara was born in Brooklyn, New York, [1] the daughter of parents of Irish descent, [2] Mary (née Dempsey)[3] and Edward Joseph Meara, a corporate lawyer for American Standard. [4] An only child, she was raised in Rockville Centre, New York, on Long Island. When Anne was 11 years old, her mother died by suicide. When she was 18, Meara spent a year studying acting at the Dramatic Workshop at The New School and at HB Studio[5] under Uta Hagen in Manhattan. The following year, 1948, she began her career as an actress in summer stock. Publicity photo of Meara and Jerry Stiller, 1965. Meara met actor-comedian Jerry Stiller in 1953, and they married in 1954. Until he suggested it, she had never thought of doing comedy. “Jerry started us being a comedy team, ” she said. He always thought I would be a great comedy partner. [1] They joined the Chicago improvisational company The Compass Players (which later became The Second City), and after leaving, formed the comedy team of Stiller and Meara. In 1961, they were performing in nightclubs in New York, and by the following year were considered a “national phenomenon”, said the New York Times. Their often improvised comedy routines brought many of their relationship foibles to live audiences. Their skits focused on domestic themes, as did Nichols and May, another comedy team during that period from the Chicago Compass Players project. “They were Nichols and May without the acid and with warmth, ” notes author Lawrence Epstein. [6] They also added a new twist to their comedy act, he adds, by sometimes playing up the fact that Stiller was Jewish and Meara was Catholic. [7] After Nichols and May broke up as a team in 1961, Stiller and Meara were the number-one couple comedy team by the late 1960s. And as Mike Nichols and Elaine May were not married, Stiller and Meara became the most famous married couple comedy team since Burns and Allen. After some years honing the act, Stiller and Meara became regulars on The Ed Sullivan Show, with 36 appearances, [8] and other TV programs, including The Tonight Show Starring Johnny Carson. They released their first LP in 1963, Presenting America’s New Comedy Sensation: Jerry Stiller and Anne Meara Live at The Hungry I, which became a hit. By 1970, however, they broke up their act because it was affecting their marriage: “I didn’t know where the act ended and our marriage began, ” complained Meara in 1977. [8] Stiller agreed, fearing, I would have lost her as a wife. During the 1970s, Meara and Stiller wrote and performed many radio commercials together for Blue Nun Wine. She had a recurring role on the sitcom Rhoda as airline stewardess Sally Gallagher, one of the title character’s best friends. She also had a small role as Mrs. Curry opposite Laurence Olivier in The Boys from Brazil (1978). In 1975, she starred in her own series, Kate McShane, on CBS. She was nominated for an Emmy Award as Outstanding Lead Actress in a Drama Series in 1976, however, the show was cancelled after 10 episodes. Also in the 1970s, Meara provided narration for segments of the educational television series Sesame Street, consisting of scenes from silent films. Meara in an episode of The Corner Bar, 1973. Meara costarred with Carroll O’Connor and Martin Balsam in the early 1980s hit sitcom Archie Bunker’s Place, which was a continuation of the influential 1970s sitcom All in the Family. During that time, she acted in the movie Fame (1980), in which she played English teacher Elizabeth Sherwood. [12] She also appeared as the grandmother in the TV series ALF in the late 1980s. The Stiller and Meara Show, her own 1986 TV sitcom, in which Stiller played the deputy mayor of New York City and Meara portrayed his wife, a television commercial actress, was unsuccessful. From 1999 to 2007, Meara guest starred on The King of Queens (where her husband played Arthur Spooner), first as Mary Finnegan, then as Veronica Olchin (mother of Spence, who was played by Patton Oswalt). Veronica and Arthur were married in the series finale. Starting in October 2010, Meara and Jerry Stiller began starring in a Yahoo! Web series called Stiller & Meara produced by Red Hour Digital, a production company owned by their son Ben Stiller. She accepted a role in the off-Broadway play Love, Loss, and What I Wore with Conchata Ferrell, AnnaLynne McCord, Minka Kelly, and B. [15] She taught a technique and scene study class at HB Studio until her death. In 1995, Meara wrote the comedy After-Play, which became an off-Broadway production. [1][16] In her later years, she portrayed recurring roles on the television shows Sex and the City (as Mary Brady) and The King of Queens (as Veronica Olchin). During the 2004-05 season, she appeared in an episode of Law & Order: Special Victims Unit. She was the consulting director of J. The Jewish American Princesses of Comedy, a 2007 off-Broadway production that featured live stand-up routines by four female Jewish comics juxtaposed with the stories of legendary performers from the 1950s and 1960s: Totie Fields, Jean Carroll, Pearl Williams, Betty Walker, and Belle Barth. In 2009, Meara wrote her personal life reflections in a New York-focused online blog, titled Mr. Beller’s Neighborhood — New York City Stories. In it, Meara recalled her mother’s death and her childhood experiences at Catholic boarding school. Meara was born, baptised and raised a Roman Catholic. She converted to Judaism six years after marrying Stiller. [18][19] She insisted that she did not convert at Stiller’s request, explaining, “Catholicism was dead to me”. She took her conversion seriously and studied the Jewish faith in such depth that her Jewish-born husband quipped, “Being married to Anne has made me more Jewish”. [20] They discussed how they met and their early career during a guest appearance on the TV game show What’s My Line? Together, Meara and her husband had two children, Amy (born 1961) and Ben (born 1965). Meara died on May 23, 2015, at her home in Manhattan at the age of 85, having suffered multiple strokes. Sources: TCM;[23] AllMovie;[24] Film Reference[25]. Woman in Police Station. Lovers and Other Strangers. The Boys from Brazil. The Perils of P. Through an Open Window. So You Want to Be an Actor. The Search for One-Eye Jimmy. The Thin Pink Line. The Diary of the Hurdy-Gurdy Man. A Fish in the Bathtub. Amy Stiller’s Breast. Keeping It Real: The Adventures of Greg Walloch. Night at the Museum. The Shallow End of the Ocean. When the Evening Comes. The Queen of Greenwich Village. 33-minute short with Jerry Stiller. Planes: Fire & Rescue. This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (May 2015) (Learn how and when to remove this template message). Sources: Film Reference;[25] TV. Com[27]. The Philco Television Playhouse. Episode: “Man on the Mountaintop”. The DuPont Show of the Month. Animated TV series, 3 episodes. The Courtship of Eddie’s Father. The Paul Lynde Show. Cast member, 7 episodes. Cancelled after 10 episodes. Take Five with Stiller & Meara. Archie Bunker’s Place. Costarred with Jerry Stiller. Meara co-wrote the teleplay with Lila Garrett. The Stiller and Meara Show. Co-writer; Canceled after a few weeks. Episode: “Charlton Heston/Wynton Marsalis”. Episode: “The Day They Came to Arrest the Book”. Episode: “One Wolf’s Family”. The General Motors Playwrights Theater. Episode: “Avenue Z Afternoon”. “The Sunset Gang”:segment: “The Detective”. Episode: “Love off Limits”. In the Heat of the Night. Great Performances: The Mother. PBS TV movie, Oct. Homicide: Life on the Street. Writer and cast member. Aunt Brenda O’Reily. The King of Queens. What Makes a Family. Sex and the City. Episode: “The Slow and the Furious”. Episode: “If It’s Not One Thing It’s Your Mother”. Law & Order: Special Victims Unit. Episode: “The Last Thing I Said Was”. Episode: “Old People Creep Me Out”. TVLand sitcom pilot that did not sell. A Month in the Country. The Good Woman of Setzuan. Music Box Theatre, Broadway. As You Like It. Joseph Papp Public Theater, Off-Broadway. The House of Blue Leaves. Truck and Warehouse Theatre, Off-Broadway. My Name Is Alice. Top of the Gate, Off-Broadway. John Golden Theatre, Broadway. Center Stage Right, Broadway. Down the Garden Paths. Minetta Lane Theatre, Off-Broadway. Love, Loss and What I Wore. I’d Rather Eat Pants, National Public Radio, 2002. Best Supporting Actress – Television. Outstanding Actress in a Drama Series. Outstanding Supporting Actress in a Comedy Series. Guest Actress in a Drama Series. Writers Guild of America Awards. Best Featured Actress in a Play. Outer Critics Circle Award. On February 9, 2007 Meara and Jerry Stiller received stars on the Hollywood Walk of Fame at 7018 Hollywood Blvd. Anne Meara, who was half of one of the most successful male-female comedy teams of all time and who went on to enjoy a long and diverse career as an actress and, late in life, a playwright, died on Saturday in Manhattan. Her death was confirmed by her husband and longtime comedy partner, Jerry Stiller, and her son, the actor and director Ben Stiller. They did not provide the cause. Meara was an experienced but relatively unknown stage actress when she joined forces with Jerry Stiller as members of the Compass Players, an improvisational theater troupe that evolved into Second City, and later on their own as Stiller and Meara. Another male-female team, Mike Nichols and Elaine May, also got their start with the Compass Players. Stiller and Meara began performing in New York nightclubs in 1961 and within a year had become a national phenomenon. But even during the act’s heyday, Ms. Meara also pursued a separate career as an actress. She had already amassed an impressive list of stage credits before beginning her comedy career, including an Obie Award-winning performance in “Mädchen in Uniform” in 1955 and roles in several Shakespeare in the Park productions. She was a witch in “Macbeth” in 1957. She later appeared both on and off Broadway, in films, and especially on television, where she was seen on a wide range of series, from “Rhoda” and “Archie Bunker’s Place” on CBS to “Sex and the City” and “Oz” on HBO. Dig deeper into the moment. A tall redhead with a brassy voice and a self-confident demeanor, Ms. Meara was a natural for comedy but frequently played dramatic parts as well. “Comedy, drama, it’s the same deal, ” she said in an interview for the Archive of American Television in 2008. You don’t really act differently; you just make adjustments. ImageAnne Meara in her West Side apartment in 1995. Anne Meara in her West Side apartment in 1995. Conrad/The New York Times. Anne Meara was born in Brooklyn on Sept. 20, 1929, and raised in Rockville Centre on Long Island. An only child, she was the daughter of Edward Meara, a lawyer, and the former Mary Dempsey, who committed suicide when her daughter was 11. After studying for a year at the Dramatic Workshop at the New School in Manhattan, Anne began her career in summer stock in 1948. Stiller in 1953 and married him soon after, but it would be some time before they began working as a team. The idea, they both agreed, was his; she did not think of herself as a comedian, but because work was scarce she reluctantly agreed. “Jerry started us being a comedy team, ” she said in 2008. At that time in my life, I disdained comedians. In the 1960s Stiller and Meara were regular guests on the variety and talk shows of Ed Sullivan and many others, and performed in nightclubs all over the country. In the 1970s their voices were heard on radio commercials for Blue Nun wine and other products. Stiller’s relationship was the basis for their best-known comedy routines, which told the continuing story of Hershey Horowitz and Mary Elizabeth Doyle, a short Jewish man and a tall Catholic woman who had virtually nothing in common except their love for each other. On their first date, arranged by a computer, Hershey and Mary Elizabeth were surprised to learn that they lived on the same block but knew none of the same people. There was one significant difference between the real-life couple and the comedy version: Ms. Meara, though born and raised Roman Catholic, converted to Judaism in 1961. By the end of the decade, Mr. Meara were both concentrating on their individual careers, but they continued to perform together from time to time. She made several guest appearances on the sitcom “The King of Queens, ” on which Mr. Stiller (who had also memorably played Frank Costanza on “Seinfeld”) was a regular; her character married his in the series finale in 2007. After Covid Upended a Dying Woman’s Rome Dream, Her Twin Stepped In. Which Option Would You Choose? While I Was Away, My Boss Had Flowers Delivered to My Apartment. Continue reading the main story. Jerry Stiller and Ms. Meara on the set of “The King of Queens” in 2003. In 2010 they began appearing in a series of web videos produced by their son in which they sat on a couch and talked, to the camera and occasionally to each other, about a variety of topics. Meara starred in “Kate McShane, ” an hourlong drama about a lawyer that, despite generally good reviews, was canceled after two months. “They never really made her a full-blooded woman, ” she said of her character in 2008. She had no love life; she was really a nun. That was her only starring role on television, but she kept busy in a range of supporting roles on the small screen well into the 21st century. In addition to her prodigious prime-time work, she appeared occasionally on the soap opera “All My Children” in the 1990s. During her career, she was nominated for four Emmy Awards and won a Writers Guild Award as a co-writer of “The Other Woman, ” a 1983 TV movie. She had memorable character parts in movies as well, including a teacher in “Fame” (1980) and a personnel manager in “Reality Bites” (1994), Ben Stiller’s feature-film directorial debut. Onstage, she was in the original Off Broadway production of John Guare’s dark comedy “The House of Blue Leaves” in 1971 – her son had a small role in the 1986 Broadway revival and the lead role in a second revival, in 2011 – and she was nominated for a Tony for “Anna Christie” in 1993. In addition to her husband and her son, Ms. Meara is survived by a daughter, the actress and comedian Amy Stiller, and two grandchildren. Meara branched out into writing in 1995, when her comedy “After-Play” was presented Off Broadway. Her “Down the Garden Paths” had a brief Off Broadway run in 2000, with a cast headed by Eli Wallach and Anne Jackson. “After-Play” has been produced by a number of regional theaters, sometimes with both Ms. Stiller in the cast. But neither of them was in the original cast, and she did not conceive it as a Stiller and Meara vehicle. “I wanted to do something on my own, ” she told The New York Times in 1995. It’s the same way he feels good about doing’Seinfeld. The irony is, I feel we’re closer personally than when we were out going to nightclubs. Anne Meara Biography (1929-). Born September 20, 1929, in New York, NY; daughter of Edward Joseph and Mary(maiden name, Dempsey) Meara; married Jerry Stiller (an actor and comic), September 14, 1954; children: Amy (an actress), Benjamin (an actor and director). Addresses: Agent: Innovative Artists, 1505 10th St. Santa Monica, CA 90401. New York, New York, United States. Harriet, The Greatest Gift, NBC, 1954. You’re Putting Me On (game show), 1969. Mae, The Corner Bar, ABC, 1973. Take Five with Stiller and Meara, syndicated, 1977. Anne Bender, The Stiller and Meara Show, NBC, 1986. Voice, Good and Evil, ABC, 1991. Title role, Kate McShane, CBS, 1975. Annie Bell, This Better Be It, CBS, 1976. Veronica Rooney, Gloria Comes Home, CBS, 1982. Anne Bender, The Stiller and Meara Show, CBS, 1986. Betty, Two Families, CBS, 2002. “Oliver Twist, ” The DuPont Show of the Month, 1959. Anna, Ninotchka, ABC, 1960. The Jonathan Winters Show, NBC, 1965. The Perry Como Christmas Show, NBC, 1966. Dames at Sea, NBC, 1971. Don Rickles–Alive and Kicking, CBS, 1972. Alan King Looks Back in Anger–A Review of 1972, ABC, 1973. Celebration: The American Spirit, ABC, 1976. The Mad Mad Mad Mad World of the Super Bowl, NBC, 1977. Voice of Nellie Cosgrove,’Twas the Night before Christmas, ABC, 1977. Salters, “The Day They Came to Arrest the Book, ” CBS SchoolbreakSpecials, CBS, 1987. Colin’s mother, Colin Quinn Back in Brooklyn (also known as Colin Back to Brooklyn), MTV, 1989. Rose Finkler, “Avenue Z Afternoon, ” General Motors Playwrights Theatre, Arts and Entertainment, 1992. Patricia Lennon, “Love Off Limits” (also known as “Off Limits”), CBS Schoolbreak Specials, CBS, 1993. Through an Open Window, syndicated, 1994. Voice, Going, Going, Almost Gone! Animals in Danger, HBO, 1994. Geegan, “The Mother” (also known as “Paddy Chayefsky’s The Mother”), Great Performances, PBS, 1994. The Comedy Central Presents the New York Friars Club Roast of Jerry Stiller, Comedy Central, 1999. The Comedy Central Presents the New York Friars Club Roast of Rob Reiner, Comedy Central, 2000. Voice, They Came for Good: A History of the Jews in the United States, PBS, 2001. There’s Something about Ben Stiller, Arts and Entertainment, 2001. Peg Gilford, The Other Woman, CBS, 1983. Louise Domino, Jitters, Lifetime, 1997. A tekeroelantos naploja (also known as The Diary of the Hurdy-Gurdy Man), 1999. Evelyn Cataldi, What Makes a Family, Lifetime, 2001. “Man on the Mountaintop, ” Philco Television Playhouse, NBC, 1954. The Ed Sullivan Show (also known as Toast of the Town), CBS, multiple appearances, between 1963 and 1971. “The Comedy Survival Kit, ” Kraft Music Hall, 1968. The Summer Smothers Brothers Show, 1968. That’s Life, ABC, 1969. “Love and Marriage: Parts 1 & 2″ and other episodes, Kraft Music Hall, 1970. The Tonight Show Starring Johnny Carson, multiple episodes, between 1970 and 1975. “Love and the Conjugal Visit, ” Love, American Style, ABC, 1971. The Carol Burnett Show, 1972. Annie, “We Love Annie, ” The Courtship of Eddie’s Father, ABC, 1972. Bunny, “Thy Neighbor Loves Thee, ” The Courtship of Eddie’s Father, ABC, 1972. Grace Dickerson, “The Landlord, ” The Paul Lynde Show, ABC, 1972. Grace Dickerson, “To Wed or Not to Wed, ” The Paul Lynde Show, ABC, 1972. Grace Dickerson, “Howie’s Inheritance, ” The Paul Lynde Show, ABC, 1973. Grace Dickerson, “Barbara Goes Home to Mother, ” The Paul Lynde Show, ABC, 1973. “Love and the Clinical Problem, ” Love, American Style, ABC, 1973. “The Enemies, ” Medical Center, CBS, 1974. Panelist, Match Game 73, 1974. Tony Orlando and Dawn, 1975. Margaret Hanrahan, “Super Mom/I’ll See You Again/April’s Return, ” TheLove Boat, ABC, 1979. Rose Vitelli, “Love, Honor, and Obey, ” The Love Boat, ABC, 1981. “We, the Jury, ” The Love Boat, ABC, 1983. Saturday Night Live, NBC, 1987. Winnie Tupper Banner, Who Threw the Barbitols in Mrs. Murder, She Wrote, CBS, 1988. “One Wolf’s Family, ” Monsters, 1990. Bernice Shapiro, “Yiddish, ” The Sunset Gang, PBS, 1991. Bernice Shapiro, “The Detective, ” The Sunset Gang, PBS, 1991. Women Aloud (also known as Funny Ladies), syndicated, 1992. Mae Shaughnessy, “Murder in White, ” Murder, She Wrote, CBS, 1993. Roda, “Poor Relations, ” In the Heat of the Night, 1994. Reena Bernecky, “Bye Bye Bernecky, ” Murphy Brown, CBS, 1994. Reena Bernecky, “Brown in Toyland, ” Murphy Brown, CBS, 1994. Dooley Harold, “Roll Out the Barrel, ” Good Advice, 1994. Donna DiGrazi, “Hostage: Part 2, ” Homicide: Life on the Street, NBC, 1996. Mary Finnegan, “S’aint Valentines, ” The King of Queens, CBS, 1999. Aunt Brenda O’Reily, “Legs, ” Oz, HBO, 1999. Barbara Gennacarro, “The Test, ” Ed, NBC, 2001. “Ben Stiller, ” Biography, Arts and Entertainment, 2001. Friedman, “Star-Spangled Banter, ” Will & Grace, NBC, 2001. Aunt Brenda O’Reily, “Wheel of Fortune, ” Oz, HBO, 2002. Mary Brady, “Unoriginal Sin, ” Sex and the City, HBO, 2002. Veronica, “S’poor House, ” The King of Queens, CBS, 2003. Also appeared as Charlie’s mother, “If It’s Not One Thing, It’s Your Mother, ” Charlie Lawrence; as guest panelist on To Tell the Truth;and on The Merv Griffin Show and The Sonny & Cher Show. Appeared in The Male Menopause. Wilma, Lovers and Other Strangers, Cinerama, 1970. Irate woman in police station, The Out-of-Towners, Paramount, 1970. Irish Whiskey Rebellion, GSF/Cinerama, 1973. Sister Hildegarde (some sources cite Geraldine), Nasty Habits (also known as The Abbess), Brut, 1976. Curry, The Boys from Brazil, Twentieth Century-Fox, 1978. Sherwood, Fame, Metro-Goldwyn-Mayer, 1980. Herself, In Our Hands, 1984. Shopper, My Little Girl, 1986. Madge, The Longshot, Orion, 1986. Charlene Lane, That’s Adequate, 1989. Miriam, Awakenings, Columbia, 1990. Medea, Highway to Hell, Hemdale Releasing, 1992. Herself, So You Want to Be an Actor? Louise, Reality Bites, Universal, 1994. Alice Bushkin, Heavyweights, Buena Vista, 1995. Bev’s mother, Kiss of Death, 1995. Rita Malone, The Daytrippers (also known as En route vers Manhattan), Columbia/TriStar, 1996. Holly Hoyt, The Search for One-Eyed Jimmy, Cabin Fever Entertainment, 1996. Quinn, Southie, Lions Gates Films, 1998. Molly, A Fish in the Bathtub, Curb Entertainment, 1998. Langstrom, The Thin Pink Line, PARCO/Tokyo Theatres Co. Perrett, Brooklyn Thrill Killers, 1999. Bea, Judy Berlin, Shooting Gallery, 2000. Rita, The Independent, New City Releasing, 2000. Chump Change, Miramax, 2000. Herself, Amy Stiller’s Breast, 2000. Protestor, Zoolander, Paramount, 2001. First restaurant patron, Keeping It Real: The Adventures of Greg Walloch (also known as Fk the Disabled: The Surprising Adventures of GregWalloch), Avatar Films, 2001. Get Well Soon, Lions Gate Films, 2001. Hard-boiled woman, Crooked Lines, Crooked Lines Productions, 2001. Sister Theresa, Like Mike, Twentieth Century-Fox, 2002. Hank, The Yard Sale, American Film Institute/Yard Sale Productions, 2002. A Month in the Country, off-Broadway, 1954. Maedchen in Uniform, off-Broadway, 1955. Two Gentlemen of Verona, New York Shakespeare Festival, New York City, 1957. Nurse, Romeo and Juliet, New York Shakespeare Festival, 1957. Ulysses in Nightgown, New York City, 1958. Marion, Cock-a-Doodle Dandy, Carnegie Hall Playhouse, New York City, 1958. Bunny Flingus, The House of Blue Leaves, Truck and Warehouse Theatre, New York City, 1970. Spookhouse, Playhouse 91, New York City, 1984. Bosoms and Neglect, 1986. Nurse, Romeo and Juliet, New York Shakespeare Festival, AnspacherTheatre, Public Theatre, New York City, 1988. May Logan, Eastern Standard, Manhattan Theatre Club, New York City, 1988, then John Golden Theatre, New York City, 1989. Marthy Owen, Anna Christie, Roundabout Theatre Company, CriterionCenter Stage Right Theatre, New York City, 1993. Terry Guteman, After-Play, Theatre Four, New York City, 1995. Also appeared off-Broadway in Dandy Dick and The Silver Tassie. Director, Matinee, Mazur Theatre, New York City, 1990. (With Jerry Stiller) Laugh When You Like, Atlantic, 1972. The End of the Pier, 1992. “Break Up to Make Up, ” ALF, NBC, 1989. (With Lila Garrett) The Other Woman (movie), CBS, 1983. The Stiller and Meara Show (series), NBC, 1986. After-Play, Manhattan Theatre Club Stage I, New York City, 1994, then Theatre Four, New York City, 1995. Stiller, Jerry, Married to Laughter: A Love Story Featuring Anne Meara, Simon & Schuster, 2000. Gerald Isaac Stiller (June 8, 1927 – May 11, 2020) was an American actor, comedian and author. Stiller saw a late-career resurgence starting in 1993, playing George Costanza’s father Frank on the sitcom Seinfeld, a part which earned him an Emmy nomination. The year Seinfeld went off the air, Stiller began his role as the eccentric Arthur Spooner on the CBS comedy series The King of Queens, another role which garnered him widespread acclaim. Stiller is the father of actor Ben Stiller, and the father and son appeared together in films such as Zoolander, Heavyweights, Hot Pursuit, The Heartbreak Kid, and Zoolander 2. He also performed voice-over work for television and films including The Lion King 1½ and Planes: Fire and Rescue. In his later career, Stiller became known for playing grumpy and eccentric characters who were nevertheless beloved. [5] His family was Jewish. His paternal grandparents immigrated from Galicia (southeast Poland and western Ukraine), and his mother was born in Frampol, Poland. [6] He lived in the Williamsburg and East New York neighborhoods before his family moved to the Lower East Side, [7] where he attended Seward Park High School, [8] where he played Adolf Hitler in a school production. Upon his return from service in the U. Army during World War II, [10][11] Stiller attended Syracuse University, earning a bachelor’s degree in Speech and Drama in 1950. [12][13] He also studied drama at HB Studio in Greenwich Village. [14] In the 1953 Phoenix Theater production of Coriolanus (produced by John Houseman), Stiller, along with Gene Saks and Jack Klugman, formed (as told by Houseman in the 1980 memoir Front and Center) “the best trio of Shakespearian clowns that I have ever seen on any stage”. Also in 1953, Stiller met actress-comedian Anne Meara, and they married in 1954. Until Stiller suggested it, Meara had never thought of doing comedy. [16] They joined the Chicago improvisational company The Compass Players (which later became The Second City) and, after leaving, began performing together. In 1961 they were performing in nightclubs in New York City and by the following year were considered a “national phenomenon”, said the New York Times. The comedy team Stiller and Meara, composed of Stiller and his wife, Anne Meara, was successful throughout the 1960s, with numerous appearances on television variety programs, primarily on The Ed Sullivan Show. [17] In 1970, they broke up the live act before it broke up their marriage. They subsequently forged a career in radio commercials, notably the campaign for Blue Nun wine. They also starred in their own syndicated five-minute sketch comedy show on radio, Take Five with Stiller and Meara, from 1977 to 1978. From 1979 to 1982, Stiller and Meara hosted HBO Sneak Previews, a half-hour show produced monthly on which they described the movies and programs to be featured in the coming month. [5] They also did some comedy sketches between show discussions. The duo had their own 1986 TV sitcom, The Stiller and Meara Show, in which Stiller played the deputy mayor of New York City and Meara portrayed his wife, a TV commercial actress. Late in his career, Stiller earned the part of the short-tempered Frank Costanza, father of George Costanza, on the sitcom Seinfeld, a role which Stiller played from 1993 until 1998. [19] Stiller’s character as initially envisioned was a “meek” and “Thurberesque” character that required him to wear a bald cap. After a couple of days of rehearsal Stiller realized the character wasn’t working and asked Seinfeld co-creator Larry David if he could perform the character in a different way, which was more in line with his final characterization on the show. [20][21] For his portrayal of Frank, Stiller gained widespread critical and popular acclaim, including being nominated for an Emmy for Outstanding Guest Actor in a Comedy Series in 1997 and winning an American Comedy Award for Funniest Male Guest Appearance in a TV Series in 1998. After Seinfeld ended, Stiller had planned on retiring. However, Kevin James asked him to join the cast of The King of Queens. James, who played the leading role of Doug Heffernan, had told Stiller that he needed him to have a successful show. Stiller agreed and played the role of Arthur Spooner, the father of Carrie Heffernan, from 1998 until 2007. Stiller said that this role tested his acting ability more than any other had, and that, before being a part of The King of Queens, he only saw himself as a decent actor. Stiller played himself in filmed skits opening and closing Canadian rock band Rush’s 30th Anniversary Tour concerts in 2004. These appearances are seen on the band’s DVD R30: 30th Anniversary World Tour, released in 2005. Stiller later appeared in cameos for in-concert films for the band’s 2007-08 Snakes & Arrows Tour. [24] He also made several appearances on the game show, Tattletales, with his wife, Anne Meara. In the late 1990s, Stiller appeared in a series of Nike television commercials as the ghost of deceased Green Bay Packers head coach Vince Lombardi. He also appeared in various motion pictures, most notably Zoolander (2001) and Secret of the Andes (1999). On February 9, 2007, Stiller and Meara were honored with a joint star on the Hollywood Walk of Fame. On October 28, 2010, the couple appeared on an episode of The Daily Show with Jon Stewart. Stiller voiced the announcer on the children’s educational show Crashbox. Starting in October 2010, Stiller and Meara began starring in Stiller & Meara, a Yahoo web series from Red Hour Digital in which they discussed current topics. Each episode was about two minutes long. [25][26] Stiller also worked as a spokesman for Xfinity. The book discussed Festivus, the fictional holiday promulgated by Stiller’s Seinfeld character Frank Costanza. Stiller’s son, Ben. Stiller was married to Anne Meara for over 60 years, from 1954 until her death on May 23, 2015. [29] The two met in an agent’s office. Meara was upset about an interaction with the casting agent, so Stiller took her out for coffee-all he could afford-and they remained together ever since. Meara was Irish Catholic and converted to Judaism before the couple’s two children were born. [9] Their son is actor-comedian Ben Stiller (born 1965) and their daughter is actress Amy Stiller (born 1961). [30] He has two grandchildren through Ben. Stiller died from natural causes at his home on the Upper West Side of Manhattan on May 11, 2020, at the age of 92, less than a month before his 93rd birthday. His death was announced by his son, Ben Stiller. [31][32] Many actors Stiller worked with, including Seinfeld castmates Jerry Seinfeld, Julia Louis-Dreyfus, Jason Alexander, Michael Richards[33] and King of Queens castmates Kevin James and Leah Remini, paid tributes to him on social media. The Taking of Pelham One Two Three. Those Lips, Those Eyes. Die Story von Monty Spinnerratz. Secret of the Andes. The Lion King 1½. Anchorman: The Legend of Ron Burgundy. R30: 30th Anniversary World Tour. Snakes & Arrows Live. Swinging with the Finkels. Excuse Me for Living. Studio One in Hollywood. Sergeant Joe Capriotti / Hugh. Episode: “Thunder Over Berlin”. Episode: “The Empty Chute”. Episode: “Acres and Pains”. Episode: “The Plain Truth”. Episode: “Our First Fight”. Landon / Paul Sterling. Leonard Ferguson / Harry. The Carol Burnett Show. Episode: “Phyllis and the Jumper”. Episode: “A Touch of Classy”. Episode: “Garbage Man/Doctor’s Wife”. Episode: “Murder Takes a Bow”. Episode: “So Long, Sergeant Ross”. Episode: “The Uncivil Servant”. Episode: “Do You Take This Waitress”. Episode: “Digging Up Dinosaurs”. Episode: “You Were Meant for Me”. Episode: “Where There’s a Will”. Tales from the Darkside. Episode: “The Devil’s Advocate”. Episode: “When The Fat Lady Sings”. Sam / Seymour Shapir. Women & Men 2. Michael Tobis / Sam Pokras. Episode: “Rhyme and Punishment”. Episode: “In Search of Crimes Past”. Touched by an Angel. Episode: “Cry and You Cry Alone”. The Larry Sanders Show. Episode: “I Buried Sid”. Voice; Episode: “Hercules and the Promethus Affair”. Episode: “A Candidacy of Dunces”. How Murray Saved Christmas. Voice; Television film (final film role). Timon and Pumbaa at the Movies. Diary of a Scoundrel. The Taming of the Shrew. The Power and the Glory. Ethel Barrymore Theatre, Broadway. Three Men on a Horse. What’s Wrong with This Picture? Brooks Atkinson Theatre, Broadway. Criterion Center Stage Right, Broadway. Outstanding Guest Actor in a Comedy Series. Best Spoken Word Album. Married to Laughter: A Love Story. Screen Actors Guild Awards. Outstanding Cast in a Motion Picture. In 2007 Stiller and his wife Anne Meara received a star on the Hollywood Walk of Fame. When Jerry Stiller told his father he wanted to become an actor, his father offered an alternate plan. He said, “Why don’t you be a stagehand – that’s like being on the stage – at least you’ll be working every night, ” Stiller told Fresh Air in 1993. Stiller did not heed his father’s advice and went on to have a long career in show business. He performed comedy on stage and screen, and, in later years, made a name for himself playing George Costanza’s hotheaded father on Seinfeld. Stiller died of natural causes, his son Ben Stiller tweeted Monday. Stiller was born in Brooklyn in 1927. After serving in World War II, he teamed up with his wife, Anne Meara, to form the Stiller and Meara comedy duo – a practical move motivated by love. “We wanted to keep the marriage together, ” he joked – she was tall and Catholic, he was short and Jewish – and until they partnered up, “we never got jobs together, ” Stiller told the Archive of American Television. Stiller and Meara enjoyed success as a duo for many years but eventually decided to pursue careers on their own. Looking back in 1993, Stiller told Fresh Air he and Meara were young parents juggling a show business schedule – and trying to figure out a way to do everything. “Here were a husband and wife working together and suddenly you’re being asked to play Las Vegas, ” he recalled. Jerry Stiller and Anne Meara pose on the set of The King of Queens in November 2003. After stints on Broadway and on several TV shows in the 1970s, Stiller’s most notable role came in the early’90s, when he joined the cast of Seinfeld. Stiller said producer Larry David was looking for an actor who would “play it down” – and he did at first – but felt the approach wasn’t working. So, in a final dress rehearsal in front of a live audience, Stiller played Costanza’s temperament up – way up. In a now-famous episode, the frequently furious Costanza is encouraged to recite the mantra “serenity now” every time he gets riled up. Stiller went on to earn an Emmy nomination for his work on Seinfeld. Years later, he played another angry dad on the show King of Queens. Stiller was also a father in real life, but not one fueled by anger. His son, actor Ben Stiller, told NPR that his dad was always supportive – and hilarious. “He just can’t help but be funny because he’s so committed to being who he is, ” Stiller said. Long-Time Actress And Comedian Anne Meara Dies. The father and son appeared together in Ben’s Zoolander movies. When Meara died in 2015, she and Stiller had been married for more than 60 years. Ben Stiller said his mother’s humor tended to be dark, but his father’s was always intended to bring joy, and perhaps a bit of “serenity now, ” to others. This item is in the category “Collectibles\Autographs\Celebrities”. The seller is “memorabilia111″ and is located in this country: US. This item can be shipped to United States, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech Republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, China, Sweden, Korea, South, Indonesia, Taiwan, South Africa, Thailand, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Bahamas, Israel, Mexico, New Zealand, Philippines, Singapore, Switzerland, Norway, Saudi Arabia, United Arab Emirates, Qatar, Kuwait, Bahrain, Croatia, Republic of, Malaysia, Brazil, Chile, Colombia, Costa Rica, Panama, Trinidad and Tobago, Guatemala, Honduras, Jamaica, Antigua and Barbuda, Aruba, Belize, Dominica, Grenada, Saint Kitts-Nevis, Saint Lucia, Montserrat, Turks and Caicos Islands, Barbados, Bangladesh, Bermuda, Brunei Darussalam, Bolivia, Ecuador, Egypt, French Guiana, Guernsey, Gibraltar, Guadeloupe, Iceland, Jersey, Jordan, Cambodia, Cayman Islands, Liechtenstein, Sri Lanka, Luxembourg, Monaco, Macau, Martinique, Maldives, Nicaragua, Oman, Peru, Pakistan, Paraguay, Reunion, Vietnam, Uruguay.
Jerry Stiller & Anne Mears Signed Contract 1968 Very Young Pre Seinfeld

2019-20 Panini Immaculate VITALI KRAVTSOV Rookie Letter R Patch Autograph 9/10

2019-20
2019-20 Panini Immaculate VITALI KRAVTSOV Rookie Letter R Patch Autograph 9/10
2019-20 Panini Immaculate VITALI KRAVTSOV Rookie Letter R Patch Autograph 9/10
2019-20 Panini Immaculate VITALI KRAVTSOV Rookie Letter R Patch Autograph 9/10
2019-20 Panini Immaculate VITALI KRAVTSOV Rookie Letter R Patch Autograph 9/10
2019-20 Panini Immaculate VITALI KRAVTSOV Rookie Letter R Patch Autograph 9/10
2019-20 Panini Immaculate VITALI KRAVTSOV Rookie Letter R Patch Autograph 9/10
2019-20 Panini Immaculate VITALI KRAVTSOV Rookie Letter R Patch Autograph 9/10
2019-20 Panini Immaculate VITALI KRAVTSOV Rookie Letter R Patch Autograph 9/10
2019-20 Panini Immaculate VITALI KRAVTSOV Rookie Letter R Patch Autograph 9/10
2019-20 Panini Immaculate VITALI KRAVTSOV Rookie Letter R Patch Autograph 9/10

2019-20 Panini Immaculate VITALI KRAVTSOV Rookie Letter R Patch Autograph 9/10
2019-20 Panini Immaculate VITALI KRAVTSOV Rookie Letter R Patch Autograph 9/10 New York Rangers!!! Card is in MINT Condition!!! Great Card for any Ranger Fans or Hockey Fan!!! This item is in the category “Sports Mem, Cards & Fan Shop\Sports Trading Cards\Trading Card Singles”. The seller is “cmsports1199″ and is located in this country: US. This item can be shipped worldwide.
  • Card Size: Standard
  • Autographed: Yes
  • Set: 2019-20 Immaculate Hockey
  • Signed By: Vitali Kravtsov
  • Autograph Format: Hard Signed
  • Custom Bundle: No
  • Player/Athlete: Vitali Kravtsov
  • Year Manufactured: 2020
  • Vintage: No
  • Event/Tournament: NHL Game
  • Card Thickness: 180 Pt.
  • Graded: No
  • Sport: Ice Hockey
  • Parallel/Variety: Gold
  • Language: English
  • Card Name: Vitali Kravtsov Immaculate Collection Hockey
  • Autograph Authentication: Panini Authentic
  • Manufacturer: Panini
  • Features: Rookie, Patch, Autograph, Serial Numbered, Short Print
  • Team: New York Rangers
  • Season: 2019-20
  • League: National Hockey League (NHL)
  • Print Run: 9/10
  • Card Condition: Near Mint or Better
  • Material: Card Stock
  • Insert Set: Immaculate Gold
  • Original/Licensed Reprint: Original
  • Type: Sports Trading Card
  • Card Number: I-VK
  • Country/Region of Manufacture: United States

2019-20 Panini Immaculate VITALI KRAVTSOV Rookie Letter R Patch Autograph 9/10

Garfield Heard Auto 3/10 Parallel 2020-21 Immaculate Collection Heralded Gold #6

garfield
Garfield Heard Auto 3/10 Parallel 2020-21 Immaculate Collection Heralded Gold #6
Garfield Heard Auto 3/10 Parallel 2020-21 Immaculate Collection Heralded Gold #6

Garfield Heard Auto 3/10 Parallel 2020-21 Immaculate Collection Heralded Gold #6
2020-21 Immaculate Collection Heralded Gold 3/10 6 Garfield Heard. No stock photo / These are real scans or pictures. Immaculate Collection Heralded Gold. BK B0003 R04 F (1). Studio 3 is an Architecture, Art & Design Studio. This store will sell Art produced by our studio as well as Collectibles from the collection of our Principal Architect Jamie Moshe Straz AIA. Trading Cards, Memorabilia, etc. Note: Some of the dimensions listed on this listing could be wrong because of the automation scanning program we use. We do our best in identifying the type of Parallels however please note for newer releases non-serial numbered parallels could potentially be mixed up depending on the published checklists, please double check before purchasing. Please examine each image for condition of card and/or slab. Listing By Kronocard trading cards software v2.1.2.0. This item is in the category “Sports Mem, Cards & Fan Shop\Sports Trading Cards\Trading Card Singles”. The seller is “jamiestraz” and is located in this country: US. This item can be shipped to United States.
  • Graded: No
  • Sport: Basketball
  • Player/Athlete: Garfield Heard
  • Features: Autograph, Serial Numbered
  • Set: Immaculate Collection Heralded Gold
  • Team: Phoenix Suns
  • Card Name: 2020-21 Immaculate Collection Heralded Gold 3/10 6 Garfield Hear
  • Card Number: 6
  • Type: Sports Trading Card
  • Signed By: Garfield Heard
  • Year Manufactured: 2020
  • Season: 2020
  • Card Size: 3½\
  • Original/Licensed Reprint: Original
  • Autographed: Yes
  • Vintage: No
  • Game: Unspecified
  • Character: Garfield Heard
  • Franchise: Basketball

Garfield Heard Auto 3/10 Parallel 2020-21 Immaculate Collection Heralded Gold #6

Sugar Ray Robinson Signed Original Photo Absolutely The Best Ray Autograph

sugar
Sugar Ray Robinson Signed Original Photo Absolutely The Best Ray Autograph
Sugar Ray Robinson Signed Original Photo Absolutely The Best Ray Autograph
Sugar Ray Robinson Signed Original Photo Absolutely The Best Ray Autograph
Sugar Ray Robinson Signed Original Photo Absolutely The Best Ray Autograph
Sugar Ray Robinson Signed Original Photo Absolutely The Best Ray Autograph

Sugar Ray Robinson Signed Original Photo Absolutely The Best Ray Autograph
Sugar Ray Robinson Signed Original Photo Absolutely The Best Ray Autograph. This item is in the category “Collectibles\Autographs\Sports”. The seller is “theboxingboys” and is located in this country: US. This item can be shipped to United States.
  • Original/Reproduction: Original
  • Autographed Item: Photo

Sugar Ray Robinson Signed Original Photo Absolutely The Best Ray Autograph

THE TOURISTS SIGNED BY Eurythmics Annie Lennox DRAWING Dave Stewart 70S PHOTO

tourists
THE TOURISTS SIGNED BY Eurythmics Annie Lennox DRAWING Dave Stewart 70S PHOTO

THE TOURISTS SIGNED BY Eurythmics Annie Lennox DRAWING Dave Stewart 70S PHOTO
AN EXTREMELY RARE LATE 1970’S BAND SIGNED OFFICAL TOURISTS CARD BY THE BAND THE TOURISTS BEFORE STEWART AND LENNOX FORMED THE GROUP THE EURYTHMICS. WHAT MAKES THIS EVEN MORE SPECIAL IS THAT ANNIE HAS ADDED A DRAWING OF A PAIR OF GLASSES COVERING OVER HER EYES. SIGNED BY ANNIE LENNOX, DAVE STEWART, PETE COOMBES, EDDIE CHIN AND JIM “DOIT” TOOMEY. OVERALL ON PAPER MEASURING APPROXIMATELY 8 1/4 X 11 1/4 INCHES WITH PHOTO CARD ATTACHED MEASURING APPROXIMATELY 5 3/4 X 4 INCHES. The Tourists were a British rock and pop band. They achieved brief success in the late 1970s before the band split in 1980. Two of its members, singer Annie Lennox and guitarist Dave Stewart, went on to international success as Eurythmics. Guitarists Peet Coombes and Dave Stewart were members of the folk rock band Longdancer, [1] which was on Elton John’s Rocket Records label. [2] They moved to London, where they met singer Annie Lennox, who had dropped out of a course at the Royal Academy of Music to pursue her ambitions in pop music. Forming a band in 1976, the three of them initially called themselves The Catch. In 1977 the band released a single named “Borderline/Black Blood” on Logo Records. [1] It was released in the UK, The Netherlands, Spain and Portugal, but was not a commercial success. By 1976, they had recruited bass guitarist Eddie Chin and drummer Jim Toomey, and renamed themselves The Tourists. [1] This saw the beginning of a productive period for the band and they released three albums: The Tourists (1979), Reality Effect (1979) and Luminous Basement (1980), as well as half a dozen singles, including “Blind Among the Flowers” (1979), “The Loneliest Man in the World” (1979), “Don’t Say I Told You So” (1980) and two hits, the Dusty Springfield cover “I Only Want to Be with You” (1979)[3] and “So Good to Be Back Home Again” (1980), both of which reached the top 10 in the UK. “I Only Want to Be with You” was also a top 10 hit in Australia[5] and reached number 83 on the US Billboard Hot 100. [6] Coombes was the band’s main songwriter, although later releases saw the first compositions by Lennox and Stewart. In 1980, the band signed to RCA Records. [1] They toured extensively in the UK and abroad, including as support for Roxy Music on their 1979 Manifesto Tour. [7][8][9] The group disbanded in late 1980. Coombes and Chin began a new project named Acid Drops[10] but this met with little success and Coombes, despite originally being the main artistic force behind the Tourists, drifted out of the music business after the disbanding. Lennox and Stewart soon split as a couple but decided to continue working as an experimental musical partnership, under the name Eurythmics. [11] They retained their RCA recording contract and links with Conny Plank, who produced their first album In the Garden in 1981. Coombes’ death in late 1997 acted as a catalyst for Lennox and Stewart to revive their friendship and musical partnership, after they had disbanded Eurythmics in 1990. Drummer Jim Toomey published the book We Were Tourists in 2018, describing the band’s career. Peet Coombes – vocals, guitar. Annie Lennox – vocals, keyboards. Eddie Chin – bass guitar. Jim Toomey – drums. Should Have Been Greatest Hits. “-” denotes a recording that did not chart or was not released in that territory. “Blind Among the Flowers”. “The Loneliest Man in the World”. “I Only Want to Be with You”. “So Good to Be Back Home Again”. “Don’t Say I Told You So”. “From the Middle Room”[16]. Although in retrospect, the Tourists are seen almost entirely as the band Dave Stewart and Annie Lennox were in before they formed Eurythmics, the Scottish group was in fact more of a showcase for singer, guitarist, and primary songwriter Peet Coombes, who had first worked with Stewart in a folk duo in the early’70s. Adding Stewart’s girlfriend Lennox on vocals and occasional keyboards, the new trio dubbed themselves Catch and released one single, “Black Blood, ” on the Logo label in 1977. Adding bassist Eddie Chin and drummer Jim Toomey, the group re-christened themselves the Tourists and released their first album, The Tourists, in 1978. A follow-up, 1979’s Reality Effect, scored a U. Hit with a cover of Dusty Springfield’s I Only Want to Be With You. 1980’s Luminous Basement didn’t build on that popular success, and the album, which had a new electronic emphasis in contrast to the’60s-inspired guitar pop of the first two, sounded like the group had lost their aesthetic focus. The Tourists split later that year. In 1984, Epic released a cash-in compilation called Should Have Been Greatest Hits. David Allan Stewart (born 9 September 1952) is an English musician, songwriter and record producer, best known for Eurythmics, his successful professional partnership with Annie Lennox. [2] Normally credited as David A. Stewart, he won Best British Producer at the 1986, 1987 and 1990 Brit Awards. Film, television and soundtrack work. Film, publishing and soundtrack awards. MTV Video Music Awards. Stewart was born in Sunderland, England, [4] in 1952 and he attended Barnes Infants and Junior School and Bede Grammar School for Boys. [5] Whilst still in his teens, he secured a record deal as part of folk-rock band Longdancer. Despite being signed to Elton John’s record label, The Rocket Record Company, they did not achieve commercial success. He also collaborated with Brian Harrison to produce an EP on the Sunderland Multicord label (label number MULT-SH-1, producer Ken McKenzie), recording two songs (“Girl” and “Green She Said”) from a school musical production written by teacher Dick Bradshaw, one traditional number (“A Blacksmith Courted Me”) and a song written by Dave and Brian (“Deep December”). After leaving Wearside Stewart spent several years living in squats in London. In late 1976, he was introduced to Annie Lennox by Paul Jacobs. Soon, Stewart and Lennox became romantically involved. By 1977, the pair had teamed up with Sunderland musician Peet Coombes, releasing a single on Logo Records as The Catch. The band then developed into The Tourists who enjoyed modest success, including a hit in 1979 with a cover of the Dusty Springfield hit “I Only Want to Be with You”. The Tourists split up in 1980, as did Stewart and Lennox, though the pair continued to work together. They formed a new musical project named Eurythmics. After a string of hit singles and albums, the duo split in 1990, [7] but reunited in 1999 for the album Peace and another world tour. Lennox and Stewart worked together again in 2005, recording two new tracks for the greatest hits package Ultimate Collection, released to coincide with Eurythmics’ 25th anniversary. This section is in list format, but may read better as prose. You can help by converting this section, if appropriate. Editing help is available. When Eurythmics dissolved in 1990, Stewart moved to France and immediately released an album with his new band The Spiritual Cowboys. The song “Party Town” was featured in the 1990 film Flatliners. A second album followed in 1991. Both albums were Gold in France, where Stewart concentrated his efforts. In 1992, Stewart collaborated with singer Terry Hall (formerly of The Specials, The Fun Boy Three and The Colourfield) on the project Vegas. The duo released one self-titled album but this was commercially unsuccessful, though one of the singles from the album (“Possessed”) made the UK Top 40. In 1993, Stewart appeared in an Apple Inc. Advertisement for the Power Macintosh in which he riffed on the word “power”. He also had a small cameo as a computer hacker in the 1995 film Hackers. In 1994, Stewart released a solo album, Greetings from the Gutter. The album was not a commercial success, though Stewart scored a minor UK hit with the single “Heart Of Stone” which reached number 36. He then released another album, Sly-Fi, first on the internet. In 1995, Stewart appeared in an advert for BT in which he sung the track’Secrets’ which was made specifically for BT to be used in the advert. In 1997, Stewart released an album Come Alive with the actress and singer Rhona Mitra. In 1999, he produced a second album, Female Icon. In November 2002, Stewart worked with former South African president Nelson Mandela. Stewart came up with the idea of turning Mandela’s prison number into a telephone number[7] then wrote and recorded songs with Paul McCartney, Bono and Edge and various others that you could only hear if you dialled this number and whilst listening you were donating. He then began organising the 46664 campaign and series of concerts in the fight against HIV/AIDS in South Africa. In 2007, Stewart announced on his MySpace page that he would be playing live concerts showcasing his entire career. According to the announcement, he was to be accompanied by various guest musicians as well as a 30-piece orchestra. Additionally, Stewart has stated that for the first time in many years, he has been writing new songs on his guitar, although he had no plans at that time for a new solo album. On 21 March 2007, Stewart co-created an initiative with Chief Creative Director, Mark Warford called “Greenpeace Works”, which was labelled as a “think tank” to dream up ways celebrities could promote environmental issues. On the project, The Dave Stewart Songbook, he wrote a large coffee table size book full of stories and photographs and also re-recorded 21 hit songs which have been co-written or co-produced by him during the past decades and were originally released by artists such as Jon Bon Jovi, Celine Dion, Bob Geldof, Shakespears Sister, No Doubt, Bryan Ferry, Tom Petty and Eurythmics. Also included is the song “American Prayer” written by Stewart with Bono of U2, for which Dave Stewart shot a video clip in support of the campaign of US presidential candidate Barack Obama, featuring various film and music stars, which premiered on YouTube on 23 August 2008. Stewart also released a new solo track, Let’s Do It Again, in 2008. In July 2010, Stewart recorded his first solo album of new material since 1998’s Sly-Fi. Entitled The Blackbird Diaries, it was recorded in Nashville, Tennessee, and includes duets with Stevie Nicks, Martina McBride, Colbie Caillat and The Secret Sisters. Stewart has made a film of the making of the album and also filmed a live concert in Nashville at The Belcourt Theatre on 9 December 2010. In May 2011 it was announced that Mick Jagger of the Rolling Stones had formed a new supergroup called SuperHeavy which includes Dave Stewart, Joss Stone, Damian Marley, and A. In May 2012 it was announced that Stewart would be playing four UK shows in September 2012 to support the release of his new album The Ringmaster General. In 2013, Stewart released “Lucky Numbers” which was recorded on a boat in the South Pacific for 12 days [12]. In 2016, Stewart teamed up with New Zealand singer Jon Stevens and the duo recorded an album called Starlight. [13] which was released in March 2017 and features a blues and soul influenced rock / powerpop sound. [14] [15] Parallel to that, Stewart also co-wrote and produced a new studio album[16] with Australian singer Vanessa Amorosi, which features “soul gospel” music and also is scheduled for release, possibly in 2018. In October 2017 Stewart appeared on a German TV programme marking the 40th year of the stage career of the German singer Nena with whom he performed their jointly written track, “Be My Rebel”. Stewart produced or co-produced all of Eurythmics’ albums and, once the band became established, he also became a producer of other artists. In 1985, as well as producing Eurythmics’ hit album Be Yourself Tonight, Stewart co-produced the album Southern Accents for Tom Petty and the Heartbreakers, as well as co-writing several songs for the album including the hit “Don’t Come Around Here No More”. The same year, Stewart also produced the debut solo album by Feargal Sharkey, which included the UK number one hit “A Good Heart”. Due to these accomplishments, Stewart won “Best Producer” at the 1986 BRIT Awards in London. Stewart would go on to write and produce for a variety of other artists throughout the years. In 1986, he collaborated with Bob Geldof on tracks for his debut solo album Deep in the Heart of Nowhere. Working together, the duo named themselves “The Brothers of Doom”. Also in 1986, he co-produced the album Three Hearts in the Happy Ending Machine by Daryl Hall. Stewart also co-wrote and co-produced several tracks for Mick Jagger’s 1987 album Primitive Cool. In 1989, Stewart produced the debut album by Russian singer-songwriter Boris Grebenshchikov, Radio Silence. Along with Marcella Detroit and his then-wife, Siobhan Fahey, he co-wrote the Shakespears Sister hit single “Stay” (under the pseudonym “Jean Guiot”), as well as several other tracks for their second and third albums. In 1993, Stewart co-wrote two tracks for German punk rock-singer Nina Hagen which were published on her sixth solo studio album Revolution Ballroom. He can also be heard on keyboards and contributed background vocals. In 1996, Stewart produced the debut album by Alisha’s Attic, Alisha Rules the World. In 1997, Stewart co-produced the album Destination Anywhere for Jon Bon Jovi, [19] as well as co-writing several tracks. Stewart collaborated with Bryan Ferry on his 2002 album Frantic, co-writing several tracks and co-producing one of them. He also co-wrote “Friend or Foe” for the Russian pop duo t. Which is on their 2005 album Dangerous and Moving. In 2008, Stewart was brought in by Ringo Starr to produce his album Liverpool 8, after Starr dismissed the album’s original producer, Mark Hudson. Hudson’s work on some tracks earned both Stewart and Hudson credits as co-producers (along with Starr himself). In 2010, Stewart announced on his Twitter account he was co-writing and producing the new studio album by Stevie Nicks. The album, entitled In Your Dreams, was co-produced by Glen Ballard and released in May 2011. In 2010, Stewart co-wrote and co-produced two songs with writer and composer Mark Warford’Lover Earth’ and’Time, Faith, Love’ for the charity-focused dramatized audio production,’A Voyage For Soldier Miles’. On 24 February 2011, Stewart tweeted that he had just produced a new album by Joss Stone, stating that they also wrote 10 songs together. On 10 October 2011, Stewart released a new song called “Leap of faith” in collaboration with Greek singer Anna Vissi. The official clip of the song was released in Anna’s fan club YouTube channel. [22] Two days later, the Stewart produced Fire EP for artist Orianthi was released as an iTunes download. He has worked occasionally with American ska-punk band No Doubt, co-writing “Underneath It All” for their 2001 release Rock Steady and “Sparkle” for their 2012 release Push and Shove. In 2013, he worked with singer Lauren Harris on the pop rock project Kingdom of I. [23][24] The track Crying at the Disco was released as a free download on Soundcloud later that year. Though he co-wrote the theme song for the 1986 comedy Ruthless People with Mick Jagger and Daryl Hall, Stewart took a greater involvement in the film industry in 1989 by writing and producing the soundtrack Lily Was Here for the Dutch film De Kassière (English title Lily Was Here). The single, also called Lily Was Here and featuring saxophone player Candy Dulfer, topped the Dutch charts for five weeks. The single also reached the UK Top 10 and peaked at No. 11 on the Billboard Hot 100 in the summer of 1990. Though he had previously directed music videos, he made his feature film directorial debut in 2000 with Honest, a black comedy set in Swinging London in the late 1960s featuring three members of the British girl group All Saints. Stewart also performed the song “Everybody, All Over The World (Join The Celebration)” for the 2004 film Around the World in 80 Days. Stewart, in conjunction with his brother John J. Stewart of Oil Factory Productions, and in collaboration with music critic and author Robert Palmer and documentary filmmaker Robert Mugge made a documentary dealing with Delta Blues music. Deep Blues: A Musical Pilgrimage to the Crossroads, released in 1991, was filmed in Memphis, Tennessee and various north Mississippi counties. Stewart was the main interviewer for the HBO series Off the Record, which is a show that highlights songwriting and features prominent musicians. The pilot aired on HBO on 24 November 2006 and featured Bono and The Edge from U2. He collaborated with Mick Jagger to record songs which appear on the soundtrack to the movie Alfie, released in 2004. The soundtrack includes the critically acclaimed song “Old Habits Die Hard”, which won a Golden Globe award for Best Original Song from a Motion Picture. In 2010 the song Love Lives, originally from the 2009 EP Let’s Do It Again, is included in the soundtrack of the movie Repo Men. In 2012, together with Rosemary Reed, Stewart was the executive co-producer of Living The Life series on Sky Arts. He also recorded an exclusive soundtrack for the new episodes. Stewart is the co-creator and executive producer of the 2012 ABC sitcom Malibu Country starring Reba McEntire. Stewart created and executive produces the NBC unscripted series Songland, which gives new songwriters a chance to have their original compositions recorded by an established artist, with a single released immediately following each episode. The panel of judges on Songland include Ryan Tedder, Ester Dean, and Shane McAnally. The series premiered in the summer of 2019 and averaged 5.1 million viewers per episode, the most for a new unscripted series that summer. NBC announced that the series had been renewed for a second season in September 2019. Stewart wrote the musical Barbarella, based on the 1968 film, which premiered in Vienna on 11 March 2004. Stewart wrote music and lyrics (with Glen Ballard) for Ghost the Musical, which opened at the Piccadilly Theatre in London’s West End in June 2011. Though most of Stewart’s own music (specifically with Eurythmics) was released via the RCA/BMG label, he also formed his own record label in the 1980s called Anxious Records. The label has included a roster of artists such as Terry Hall, Londonbeat, Chris Braide and Curve vocalist Toni Halliday. Main article: Platinum Weird. In 2006, Stewart resurrected Platinum Weird, a band he purportedly formed in the early 1970s in London with singer Erin Grace, but which was in reality created in 2004. [31][32] According to the fictional account, Erin was moody and mysterious, and disappeared shortly before the band’s eponymous album was due to be released in 1974. Platinum Weird features noted songwriter Kara DioGuardi on vocals and the band has re-recorded some of the fictional original band’s songs and some new ones as well for an upcoming album. The album was produced by John Shanks. In July 2006, VH1 premiered a mockumentary entitled Rock Legends – Platinum Weird, an examination of the band’s unusual story, complete with cameo appearances from such rock legends as Mick Jagger, Annie Lennox, Ringo Starr, and Elton John, all reminiscing about the former band’s short-lived heyday and their impressions of the mysterious Erin Grace. The album was further promoted by a series of bogus World Wide Web fan sites, some of which are registered by the New Media Department of Interscope Records and hosted on the same server as interscope. Com, [33][34][35] and related false documents for the “lost” group. Walk-In (2006) and Zombie Broadway (2008); Virgin Comics[36]. The Dave Stewart Songbook: The Stories Behind the Songs; September, 2008; Surfdog; ISBN 0615235689 [37]. The Business Playground: Where Creativity and Commerce Collide; with Mark Simmons; July, 2010; New Riders; ISBN 032172058X [38]. Sweet Dreams are Made of This: A Life in Music; February, 2016; Penguin; ISBN 0451477685 [39]. Previously married from 1973 to 1977, [40] Stewart married former Bananarama member Siobhan Fahey (who later formed Shakespears Sister) in 1987. The couple have two children (Sam and Django). They divorced in 1996. On 4 August 2001, Stewart married Dutch photographer Anoushka Fisz, with whom he has two daughters, Kaya and Indya. In 2004, Stewart and Fisz moved to Hollywood so Stewart could concentrate on his soundtrack work. They renewed their marriage vows in 2013. In his youth, he was a Sunderland A. Supporter and still watches their games. As a child, his ambition was to play for the club. In 2000, Stewart received the O2 Silver Clef Award. [44] He was inducted into the UK Music Hall of Fame in 2005, and won the Music Producers Guild Outstanding Contribution to UK Music Award in 2015. Eurythmics were nominated for the Rock and Roll Hall of Fame in 2017. Sweet Dreams (Video album). Grammy Award for Best Music Video. Would I Lie to You? Best Rock Performance by Group. Or Duo with Vocal. “Sisters Are Doin’ It for Themselves”. Best R&B Performance by a Group. Best Rock Performance by a Group. “We Too Are One”. Be Yourself Tonight (Eurythmics). British Producer of the Year. We Too Are One (Eurythmics). “Don’t Ask Me Why” (Eurythmics). Producer of the Year. Outstanding Contribution to Music. Songwriters of the Year. “It’s Alright (Baby’s Coming Back)” (Eurythmics). BMI London Awards, Song of the Year. “Old Habits Die Hard” from Alfie. Stewart with Mick Jagger. Best Song, Las Vegas Film Critics Award. Best Song, Critics Choice Awards. Golden Globe Award for Best Song. For Best Original Song Written Directly for a Film. Five nominations, including Best Group. “You Have Placed A Chill in My Heart”. “I Need A Man”. See also: The Tourists, Eurythmics Discography, Platinum Weird, and SuperHeavy. Lily Was Here soundtrack. Dave Stewart and the Spiritual Cowboys. Greetings from the Gutter. The Dave Stewart Songbook Vol. Guest stars on the album including Martina McBride, Karen Elson, Vanessa Amorosi, Holly Quin-Ankrah, Laura Michelle Kelly and Ann Marie Calhoun. “Lily Was Here” feat. “Happy To Be Here”. “All Over The World” (Cricket World Cup’99 official theme song). “Old Habits Die Hard” (with Mick Jagger and Sheryl Crow). “-” denotes releases that did not chart or were not released. Liverpool 8 (Capitol Records, 2008). Y Not (Universal Music Enterprises, 2010). Ringo 2012 (Universal Music Enterprises, 2012). Postcards from Paradise (Universal Music Enterprises, 2015). Give More Love (Universal Music Enterprises, 2017). What’s My Name (Universal Music Enterprises, 2019). LP1 (Surfdog Records, 2011). Three Hearts in the Happy Ending Machine (RCA Records, 1986). Revolution Ballroom (Mercury Records, 1993). Scream If You Wanna Go Faster (EMI, 2001). With Jon Bon Jovi. Destination Anywhere (Mercury Records, 1997). With Billy Ray Cyrus. Back to Tennessee (Lyric Street, 2009). Knocked Out Loaded (Columbia Records, 1986). Eleven (Republic Nashville, 2011). One of the Boys (Capitol Records, 2008). Anastacia (Epic Records, 2004). It’s a Man’s World (BMG, 2012). Slow Motion Addict (Interscope Records, 2007). Primitive Cool (Columbia Records, 1987). In Your Dreams (Reprise Records, 2011). 24 Karat Gold: Songs from the Vault (Reprise Records, 2014). Feargal Sharkey (A&M Records, 1985). Frantic (Virgin Records, 2002). Olympia (Virgin Records, 2010). With Sinéad O’Connor. Faith and Courage (Atlantic Records, 2000). Who’s Zoomin’ Who? He was the lead singer and primary songwriter of the group The Tourists, the first charting band to feature guitarist Dave Stewart and singer Annie Lennox, later to gain greater fame as the duo Eurythmics. The Catch and The Tourists. Coombes was born in Bradford, England, but spent most of his early life in Sunderland, where he met Dave Stewart. Stewart introduced Coombes to Annie Lennox, whom he had met when she was working in a London restaurant. [1] In 1976 the three formed a post-disco band called The Catch, which released one single “Borderline/Black Blood” that failed to chart. The band renamed itself The Tourists, adding bassist Eddie Chin and drummer Jim Toomey. Coombes played guitar, sang and wrote most of the Tourists’ original songs. After releasing their third album in 1980 the band dissolved. Dave Stewart was keen to move from the Tourists’ guitar-based new wave sound to explore synthesiser-led pop and formed Eurythmics with Annie Lennox. Peet Coombes and Eddie Chin started a group called Acid Drops[3] but it did not release recorded material. Coombes moved to London and did not perform during most of the 1980s. In 1992 he moved to Cornwall and created the band Diminished Responsibility with amateur producer and bassist Andy Brown, his wife Cathy and with Dave Farghally on drums. The band did not release any recordings. In the 1990s his health deteriorated and by late 1996 he could no longer perform. He died in 1997 due to cirrhosis of the liver related to long term heavy consumption of alcohol. [4] He was 45 years old. Coombes’ sons Joey and Robin Coombes formed the hip hop group Task Force. Ann Lennox OBE (born 25 December 1954) is a Scottish singer-songwriter, political activist and philanthropist. After achieving moderate success in the late 1970s as part of the new wave band The Tourists, she and fellow musician Dave Stewart went on to achieve international success in the 1980s as Eurythmics. Appearing in the 1983 music video for “Sweet Dreams (Are Made of This)” with orange cropped hair and wearing a man’s business suit, the BBC states, “all eyes were on Annie Lennox, the singer whose powerful androgynous look defied the male gaze”. [1] Subsequent hits with Eurythmics include “There Must Be an Angel (Playing with My Heart)” and “Here Comes the Rain Again”. Lennox embarked on a solo career in 1992 with her debut album, Diva, which produced several hit singles including “Why” and “Walking on Broken Glass”. The same year, she performed “Love Song for a Vampire” for Bram Stoker’s Dracula. Her 1995 studio album, Medusa, includes “No More I Love You’s” and “A Whiter Shade of Pale”. To date, she has released six solo studio albums and a compilation album, The Annie Lennox Collection (2009). With eight Brit Awards, which includes being named Best British Female Artist a record six times, Lennox has been named the “Brits Champion of Champions”. [2] She has also collected four Grammy Awards and an MTV Video Music Award. In 2002, Lennox received a Billboard Century Award; the highest accolade from Billboard magazine. [3] In 2004, she received both the Golden Globe and the Academy Award for Best Original Song for “Into the West”, written for the soundtrack to the feature film The Lord of the Rings: The Return of the King. Lennox’s vocal range is contralto. [4][5][6] She has been named “The Greatest White Soul Singer Alive” by VH1 and one of The 100 Greatest Singers of All Time by Rolling Stone. [7] In 2012, she was rated No. 22 on VH1’s 100 Greatest Women in Music. [8] She has earned the distinction of “most successful female British artist in UK music history”. [9] As part of a one-hour symphony of British Music, Lennox performed “Little Bird” during the 2012 Summer Olympics closing ceremony in London. At the 2015 Ivor Novello Awards, Lennox was made a fellow of the British Academy of Songwriters, Composers and Authors, the first woman to receive the honour. In 2011, Lennox was appointed an OBE by Queen Elizabeth II for her “tireless charity campaigns and championing of humanitarian causes”. On 4 June 2012 she performed at the Queen’s Diamond Jubilee Concert in front of Buckingham Palace. In 2017, Lennox was appointed Glasgow Caledonian University’s first female chancellor. Charity and political activism. Relationship with the LGBT+ community. In the 1970s, Lennox won a place at the Royal Academy of Music in London, where she studied the flute, piano and harpsichord for three years. Lennox was unhappy during her time at the Royal Academy and spent her time wondering what other direction she could take. Lennox’s flute teacher’s final report stated: Ann has not always been sure of where to direct her efforts, though lately she has been more committed. She is very, very able, however. ” Two years later, Lennox reported to the Academy: “I have had to work as a waitress, barmaid, and shop assistant to keep me when not in musical work. She also played and sang with a few bands, such as Windsong, during the period of her course. In 2006, the academy made her an honorary Fellow. [15] Lennox also was made a Fellow of the Royal Scottish Academy of Music and Drama that year. Lennox in the mid-1980s. In 1976, Lennox was a flute player with a band called Dragon’s Playground, leaving before they appeared on TV’s New Faces. [17] Between 1977 and 1980, she was the lead singer of The Tourists, a British pop band and her first collaboration with Dave Stewart. Lennox and Stewart’s second collaboration, the 1980s synthpop duo Eurythmics, resulted in her most notable fame, as the duo’s alto, soul-tinged lead singer. Early in Eurythmics’ career, Lennox was known for her androgyny, [19][20] wearing suits and once impersonating Elvis Presley. Eurythmics released a long line of singles in the 1980s, including “Sweet Dreams (Are Made of This)” a U. Number one and UK number two, “There Must Be an Angel (Playing with My Heart)” (UK number one), “Love Is A Stranger”, “Here Comes the Rain Again”, “Sisters Are Doin’ It for Themselves”, Who’s That Girl? “, “Would I Lie to You? “, “Missionary Man”, “You Have Placed a Chill in My Heart”, “Thorn in My Side”, “The Miracle of Love” and “Don’t Ask Me Why. Although the Eurythmics never officially disbanded, Lennox made a fairly clear break from Stewart in 1990. Thereafter, she began her solo career. Lennox (far right) and David A. Stewart (left) performing as Eurythmics in 1987. Lennox and Stewart reconvened Eurythmics in the late 1990s with the album Peace, their first album of new material in ten years. A subsequent concert tour was completed, with profits going to Greenpeace and Amnesty International. [3] Lennox has received eight Brit Awards, including being named Best British Female Artist a record six times. [22] Four of the awards were given during her time with Eurythmics, and another was given to the duo for Outstanding Contribution to Music in 1999. The 1988 single, “Put a Little Love in Your Heart”, was a duet with Al Green recorded for the soundtrack of the movie Scrooged. Though it was produced by Dave Stewart, it was credited to Lennox and Green. This one-off single peaked at No. 9 on the U. Billboard Hot 100 and was a top 40 hit in the UK. [24][25] Lennox performed the song “Ev’ry Time We Say Goodbye”, a Cole Porter song, that same year for a cameo appearance in the Derek Jarman film Edward II. She then appeared with David Bowie and the surviving members of Queen at 1992’s Freddie Mercury Tribute Concert at London’s Wembley Stadium, performing “Under Pressure”. Main article: Diva (Annie Lennox album). Lennox began working with former Trevor Horn protégé Stephen Lipson, beginning with her 1992 solo début album, Diva. It was a commercial and critical success, charting No. 1 in the UK, No. 6 in Germany, and No. 23 in the U. Where it went double platinum. [27][28] Lennox’s profile was boosted by Diva’s singles, which included “Why” and “Walking on Broken Glass”. “Why” won an MTV Award for Best Female Video at the 1992 MTV Video Music Awards, while the video for “Walking on Broken Glass” set in the Rococo period, featured actors Hugh Laurie and John Malkovich. [29][30] “Little Bird” also formed a double A-side with “Love Song for a Vampire”, a soundtrack cut for Francis Ford Coppola’s 1992 movie Bram Stoker’s Dracula. [31] The B-side of her single “Precious” was a self-penned song called “Step by Step”, which was later a hit for Whitney Houston for the soundtrack of the film The Preacher’s Wife. [31] The song “Keep Young and Beautiful” was included on the CD release as a bonus track (the original vinyl album had only ten tracks). The album entered the UK album chart at no. [27] In 1993, the album was included in Q magazine’s list of the “50 Best Albums of 1992″. Rolling Stone magazine 25 June 1992, p. 41 described the album as… And it is included in Rolling Stone’s 13 May 1999, p. 56 “Essential Recordings of the 90’s” list. The album won Best British Album at the 1993 Brit Awards. Main articles: Medusa (Annie Lennox album) and Peace (Eurythmics album). Although Lennox’s profile decreased for a period because of her desire to bring up her two children outside of the media’s glare, she continued to record. Her second album, Medusa, was released in March 1995. It consisted solely of cover songs, all originally recorded by male artists including Bob Marley, The Clash, and Neil Young. It entered the UK album chart at No. [27] It has achieved double platinum status in both the UK and the US. [32][34] The album yielded four UK singles: “No More I Love You’s” which entered the UK singles chart at No. 2, Lennox’s highest ever solo peak, [25] “A Whiter Shade of Pale”, “Waiting in Vain” and “Something So Right”. The album was nominated for Best Pop Vocal Album at the Grammy Awards of 1996, [35] losing to Turbulent Indigo by Joni Mitchell, however, Lennox won the Grammy Award for Best Female Pop Vocal Performance for the single “No More I Love You’s”. [36] Although Lennox declined to tour for the album, she did perform a large scale one-off concert in New York’s Central Park, which was filmed and later released on home video. [37] Lennox provided an extensive solo vocal performance (without lyrics) for the soundtrack score of the film Apollo 13 in 1995. Managed by Simon Fuller since the beginning of her solo career, he said that Lennox played an important but unheralded role in the success of the Spice Girls, encouraging the group to “ham up” their characters, which helped them top the charts around the world. [39] In 1997, Lennox re-recorded the Eurythmics track “Angel” for the Diana, Princess of Wales: Tribute album, and also recorded the song “Mama” for The Avengers soundtrack album. In 1998, following the death of a mutual friend (former Tourists member Peet Coombes), she re-united with Dave Stewart. [40] Following their first performance together in eight years at a record company party, Stewart and Lennox began writing and recording together for the first time since 1989. This resulted in the album Peace. The title was designed to reflect the duo’s ongoing concern with global conflict and world peace. The record was promoted with a concert on the Greenpeace vessel Rainbow Warrior II, where they played a mixture of old and new songs. “I Saved the World Today” was the lead single, reaching number eleven on the UK singles chart. [41] Another single, released at the beginning of 2000, “17 Again”, made the UK top 40, and topped the US dance chart. [42] In 2002, Lennox received a Billboard Century Award; the highest accolade from Billboard Magazine, with Editor-in-Chief Timothy White describing her as one of the most original and unforgettably affecting artists in the modern annals of popular music. Main article: Bare (Annie Lennox album). Annie Lennox on stage in 2004. In 2003, Lennox released her third solo album, Bare. The album peaked at No. 3 in the UK and No. 4 in the US – her highest charting album in the US to date. [43] She embarked on her first tour as a solo artist to promote the album. The tour, simply titled Solo Tour, pre-dated the release of the album and visited both the US and Europe, with only a two-night stop in the UK at Saddler’s Wells Theatre in London. The album has been certified Gold in both the UK and the US and was nominated for Best Pop Album at the 46th Grammy Awards. [44] The album was released with a DVD which included interviews and acoustic versions of songs by Lennox. In 2004, Lennox won the Academy Award for Best Song for “Into the West” from the film The Lord of the Rings: The Return of the King, [46] which she co-wrote with screenwriter Fran Walsh and composer Howard Shore. Lennox performed the song live at the 76th Academy Awards. The song also won a Grammy award and a Golden Globe award. She had previously recorded “Use Well the Days” for the movie, which incorporates a number of quotations from Tolkien in its lyrics. This features on a bonus DVD included with the “special edition” of the movie’s soundtrack CD. In mid-2004, Lennox embarked on an extensive North American tour with Sting. [3] In July 2005, Lennox performed at Live 8 in Hyde Park, London, along with Madonna, Sting, and other popular musicians. In 2005, Lennox and Stewart collaborated on two new songs for their Eurythmics compilation album, Ultimate Collection, of which “I’ve Got a Life” was released as a single in October 2005. The promotional video for the song features Lennox and Stewart performing in the present day, with images of past Eurythmics videos playing on television screens behind them. The single peaked at number fourteen in the UK Singles Chart and was a number-one US Dance hit. [24][25] On 14 November 2005, Sony BMG repackaged and released Eurythmics’ back catalogue as 2005 Deluxe Edition Reissues. [48] Lennox also collaborated with Herbie Hancock doing the song “Hush, Hush, Hush” on his collaboration album, Possibilities in August 2005. Main article: Songs of Mass Destruction. After releasing “Sing” with 23 other invited singers, Lennox launched the SING campaign in 2007. Ending her long association with Stephen Lipson, Lennox’s fourth solo album, Songs of Mass Destruction, was recorded in Los Angeles with veteran producer Glen Ballard (known for producing Alanis Morissette’s album, Jagged Little Pill). It was released on 1 October 2007, and was the last studio album of Lennox’s contract with BMG. It peaked at No. 7 in the UK and No. 9 in the US. [24][25] Lennox stated that she believed the album consisted of “twelve strong, powerful, really emotive songs that people can connect to”. If she achieves that, she says, I can feel proud of [it], no matter if it sells ten copies or 50 million. “[50] Lennox described it as “a dark album, but the world is a dark place. It’s fraught, it’s turbulent. Most people’s lives are underscored with dramas of all kinds: there’s ups, there’s downs – the flickering candle. “[51] She added, “Half the people are drinking or drugging themselves to numb it. A lot of people are in pain. The album’s first single was “Dark Road”, released on 24 September 2007. Another song on the album, “Sing”, is a collaboration between Lennox and 23 prominent female artists: Anastacia, Isobel Campbell, Dido, Céline Dion, Melissa Etheridge, Fergie, Beth Gibbons, Faith Hill, Angelique Kidjo, Beverley Knight, Gladys Knight, k. Lang, Madonna, Sarah McLachlan, Beth Orton, Pink, Kelis, Bonnie Raitt, Shakira, Shingai Shoniwa, Joss Stone, Sugababes, KT Tunstall, and Martha Wainwright. [52] Included among the group of vocalists are TAC activist members’ own vocal group known as The Generics, whose CD of music inspired Lennox to make “Sing”. [52] To promote Songs of Mass Destruction, Lennox embarked on a primarily North American tour called Annie Lennox Sings, which lasted throughout October and November 2007. Main article: The Annie Lennox Collection. Finishing out her contract with Sony BMG, Lennox released the compilation album The Annie Lennox Collection. Initially intended for release in September 2008, the release date was pushed back several months to allow Lennox to recuperate from a back injury. [54] The compilation was eventually released in the US on 17 February 2009, and in the UK and Europe on 9 March 2009. Included on the track listing are songs from her four solo albums, one from the Bram Stoker’s Dracula soundtrack, and two new songs. One of these is a cover of Ash’s single, “Shining Light”. The other is a cover of a song by the English band Keane, originally the B-side of their first single in 2000. Lennox renamed the song from its original title “Closer Now” to “Pattern of My Life”. A limited 3-disc edition of the album included a DVD compilation featuring most of Lennox’s solo videos since 1992, and also featured a second CD of rarer songs including a version of R. S “Everybody Hurts” with Alicia Keys and Lennox’s Oscar-winning “Into the West” from the third Lord of the Rings film. The album entered the UK Album Chart at No. 2 and remained in the top 10 for seven weeks. Lennox’s recording contract with Sony BMG concluded with the release of Songs of Mass Destruction and the subsequent retrospective album The Collection, and much was made in the press in late 2007/early 2008 about the apparent animosity between Lennox and the record company. Upon her return to the UK, Lennox met with the head of Sony BMG UK, Ged Docherty, who was “mortified” by the problems she had encountered with the South African branch. However, the debacle (partly inflamed when Lennox’s dissatisfaction with the South African office was made public on her blog) led to press reports falsely stating that she was being dropped by Sony BMG. The record company themselves quickly refuted the rumour stating that Lennox’s contract with them had merely been fulfilled and that they hoped she would consider remaining with them. The British tabloid, Daily Mirror, subsequently printed a retraction of its story about her being dropped by the label. Main article: A Christmas Cornucopia. In August 2010, Lennox signed a new contract with Island Records in the UK and Decca Records in the US (both part of the Universal Music Group). [57] Her first release was a Christmas album entitled A Christmas Cornucopia, issued on 15 November 2010. The album is a collection of Lennox’s interpretations of traditional festive songs such as “Silent Night” and “The First Noel”, along with one new composition, “Universal Child”, which was released as a download-only single on 13 October 2010. Lennox had previously showcased the song on the American Idol Gives Back TV show in April 2010. She sang the song “Angels from the Realms of Glory” from the album for the TNT special Christmas in Washington. A music video was produced for a second single from the album, “God Rest Ye Merry Gentlemen”. Lennox also performed the track on the UK chat show Loose Women in December 2010, and was also interviewed. [59] According to Metacritic, A Christmas Cornucopia has gained “generally favourable reviews”. [60] Ian Wade of BBC Music gave the album a very positive review, saying this collection could find itself becoming as much a part of the holiday season as arguments with loved ones. “[61] Sal Cinquemani of Slant Magazine awarded the album 3.5/5 and said “Lennox seems more inspired on A Christmas Cornucopia than she has in years. “[62] John Hunt of Qatar Today magazine gave the album 9/10 and said “in particular, the vocal work and musical arrangement of’God Rest Ye Merry Gentlemen’ are impactful to the point of being intimidating. On 4 June 2012, Lennox performed, as part of the Queen’s Diamond Jubilee Concert, in front of Buckingham Palace in London and on 12 August she performed “Little Bird” at the 2012 Summer Olympics Closing Ceremony. In October 2014, Lennox released her sixth solo album, Nostalgia. [65] The album is a collection of Lennox’s childhood favourite soul, jazz and blues songs. [66] Critic Mike Wass of Idolator stated that Lennox “puts her own inimitable spin” on the selected tracks. [67] The lead single “I Put a Spell on You” received its first radio play on 15 September 2014 by Ken Bruce on BBC Radio 2. [68] Upon release, the album entered the UK and US Top 10, and reached number one on the US Billboard Top Jazz Albums chart. The album was nominated for a Grammy Award for Best Traditional Pop Vocal Album. On 28 January 2015, Lennox performed a live concert at the Orpheum Theatre in Los Angeles entitled An Evening of Nostalgia with Annie Lennox. The show aired on PBS in the US in April 2015, and was released on DVD and Blu-ray internationally in May 2015. In May 2019, Lennox released Lepidoptera, containing four extemporized piano songs. The EP serves as a companion piece to Lennox’s art installation, Now I Let You Go… It is Lennox’s first independently distributed record. HIV campaigner Lennox in Germany ahead of World AIDS Day in 2008. Lennox appeared on stage at the 1988 Nelson Mandela 70th Birthday Concert and commenced activist work with the Sing Foundation afterwards. [71] In 1990, Lennox recorded a version of Cole Porter’s “Ev’ry Time We Say Goodbye” for the Cole Porter tribute album Red Hot + Blue, a benefit for AIDS awareness. A video was also produced. [72] Lennox has been a public supporter of Amnesty International and Greenpeace for many years, and she and Dave Stewart donated all of the profits from Eurythmics’ 1999 Peacetour to both charities. [73] Concerned by Tibet freedom, [74] she supported Amnesty International campaigns for the release of Tibetan prisoners Palden Gyatso and Ngawang Choephel. After being forced to pull out of performing at Live Aid held at Wembley Stadium in 1985 due to a serious throat infection, Lennox appeared at Live 8 held in Hyde Park, London in 2005. [76] In 2006, in response to her humanitarian work, Lennox became patron of the Master’s Course in Humanitarian and Development Practice for Oxford Brookes University. [3] In October 2006, Lennox spoke at the British House of Commons about the need for children in the UK to help their counterparts in Africa. [3] On 25 April 2007, Lennox performed “Bridge over Troubled Water” during the American Idol “Idol Gives Back” fundraising drive. [77] Lennox’s 2007 song “Sing” was born out of her involvement with Nelson Mandela’s 46664 campaign and Treatment Action Campaign (TAC), both of which are human rights groups which seek education and health care for those affected by HIV. [3][52] In December 2007, Lennox established The SING Campaign, an organisation dedicated to raising funds and awareness for women and children affected by HIV and AIDS. HIV campaigners, Memory Sachikonye (left) and Lennox (right) meet with the UK’s Secretary of State for International Development Andrew Mitchell in December 2011. On 11 December 2007, she performed in the Nobel Peace Prize Concert in Oslo, Norway together with a variety of artists, which was broadcast to over 100 countries. [79] Lennox appeared at the Nelson Mandela 90th Birthday Tribute in June 2008[80] and then led a rally against the Gaza War in London on 3 January 2009. Lennox opened the 2009 Edinburgh Festival of Politics with commentary on Pope Benedict XVI’s approach to HIV/AIDS prevention in Africa. She said that the Pope’s denunciation of condoms on his recent tour of Africa had caused “tremendous harm” and she criticised the Roman Catholic Church for causing widespread confusion on the continent. Lennox also condemned the media’s obsession with “celebrity culture” for keeping the AIDS pandemic off the front page. During her address, Lennox wore a T-shirt emblazoned with the words “HIV positive”. Lennox wore similar T-shirts at the 25th Anniversary Rock & Roll Hall of Fame concert at Madison Square Garden on 30 October 2009, [82] during her appearance on The Graham Norton Show on 30 November 2009 (where she performed the new song “Full Steam”, a duet with singer David Gray), during a recorded performance for American Idol during a 21 April 2010 fundraiser, entitled Idol Gives Back, and during a performance on the live Comic Relief show on 18 March 2011. She is one of those exemplary human beings who chose to put her success in her chosen career to work in order to benefit others. She is a true friend of Africa and of South Africa. Her Aids activism in general, and support for the treatment action campaign in-particular, contributed significantly to turning the pandemic around in our country. Archbishop Desmond Tutu pays tribute to Annie Lennox in November 2013. In June 2010, Lennox was named as a UNESCO Goodwill Ambassador for AIDS, [84] a role that continues as of August 2013. Lennox also works with other organisations such as Oxfam, Amnesty International and the British Red Cross in regard to the issue. [85] Lennox also supports the Burma Campaign UK, a non-governmental organisation that addresses the suffering in Burma and promotes democratisation. In December 2010, it was confirmed that Lennox was in the New Years Honours List and would become an Officer of the Order of the British Empire (OBE) in recognition of her humanitarian work. She received the award from Queen Elizabeth II at Buckingham Palace on 28 June 2011. In November 2013, Lennox received the Music Industry Trusts Award for her career achievements in music and her charity commitments. [83] Elton John said of her award; “It is so well deserved and not only for your extraordinary contribution to music and songwriting but also for your outstanding and tireless work as an HIV and AIDS activist and supporter of women’s rights, ” while Adele stated; Annie Lennox has been a constant part of my life. An example of a brilliant talent that exudes excellence and influence on everyone. In 2015 Lennox attended, performed at and hosted several charitable events including: the 50th Amnesty International Annual Conference where she was a guest speaker, Elton John and David Furnish’s at home Gala in aid of the Elton John Aids Foundation where she performed, held a screening of He Named Me Malala, and hosted a Mothers2mothers 15th Anniversary gala. In 2016 Lennox was awarded the Elle Style Awards’Outstanding Achievement’ award, and the Royal Scottish Geographical Society award, the Livingstone Medal, in recognition of her outstanding contribution to the fight against AIDS and support of women’s rights. Lennox was known for her androgyny during the 1980s. Lennox’s longtime support for LGBT rights have helped garner a significant following within the community. [90] According to The Advocate, her distinctive voice and provocative stage persona have made Lennox a longtime gay icon. Known for her androgynous look in the 1980s-first widely seen in the 1983 music video for “Sweet Dreams (Are Made of This)” where she had close-cropped, orange-coloured hair, and wore a man’s suit brandishing a cane, a video which made her a household name-Lennox was viewed as the female version of Boy George, and during the Second British Invasion spurred by MTV, Newsweek magazine ran an issue which featured Lennox and Boy George on the cover of its 23 January 1984 edition with the caption Britain Rocks America – Again. In conjunction with the Victoria and Albert Museum in London, Lennox put many items from her collection-costumes, accessories, photographs, awards, ephemera from her political campaigns, and personal belongings-on display. This collection, which spanned her entire career, along with music videos and interviews, became The House of Annie Lennox at the institution from 15 September 2011 to 26 February 2012. [93] An expanded version of the exhibit was later installed at The Lowry in Salford, England from 17 March 2012 to 17 June, [94][95] before moving to Aberdeen for twelve weeks. In October 2014, Lennox faced criticism for failing to mention the history of lynching in the US when discussing her cover Billie Holiday’s “Strange Fruit” on her Nostalgia album. [97] Lennox did not respond to the criticism or apologize until the following January, noting that she felt speaking on it earlier could have made things worse and that a DVD covering the album includes comments from her concerning the horrors of lynching. “The video accompanying “Sweet Dreams (Are Made of This), in which Annie Lennox appeared with closely cropped orange hair and wearing a man’s business suit, was both striking and surreal. Lennox’s extraordinary image was at odds with her female contemporaries. Sweet Dreams: remembering the music video that broke the mould for female pop stars, (BBC). See also: Annie Lennox music videos. Both as part of Eurythmics and in her solo career, Lennox has made over 60 music promo videos. The 1987 Eurythmics album Savage and her 1992 solo album Diva were both accompanied by video albums, both directed by Sophie Muller. [99] Actors Hugh Laurie and John Malkovich appeared in the music video for “Walking on Broken Glass” in period costume, while the video for “Little Bird” paid homage to the different images and personas that have appeared in some of Lennox’s previous videos. [30] The clip features Lennox performing on stage with several lookalikes (male and female) that represent her personas from “Why”, “Walking on Broken Glass”, “Sweet Dreams”, “Beethoven (I Love To Listen To)”, “I Need a Man”, “Thorn in My Side”, “There Must Be an Angel”, and even her stage image from the 1992 Freddie Mercury Tribute Concert. Lennox has been married three times. Her first marriage, from 1984 to 1985, was to German Hare Krishna devotee Radha Raman. [101] From 1988 to 2000, she was married to Israeli film and record producer Uri Fruchtmann. [102] The couple have two daughters, Lola and Tali. A son, Daniel, was stillborn in 1988. [103] On 15 September 2012, Lennox married Mitch Besser in London in a private ceremony. In September 2012, Lennox featured in Series 9 of the BBC’s Who Do You Think You Are? In which she discovered that her great-great-grandmother Jessie Fraser worked at the Broadford Flax Mill in Aberdeen. Her maternal grandmother, Dora Paton, was a dairy maid at the Balmoral Royal Estate and her maternal grandfather, William Ferguson, was a gamekeeper also at Balmoral. Both of Lennox’s parents died of cancer. [14] Lennox is agnostic[107] and a feminist. Main article: Annie Lennox discography. See also: Eurythmics discography. Songs of Mass Destruction (2007). A Christmas Cornucopia (2010). The Annie Lennox Collection (2009). Lennox has received a variety of major awards during her career:[110]. Top Hot Dance Club Play Artist. Top Hot Dance Club Play Single. “A Thousand Beautiful Things”. British Female Solo Artist. British Album of the Year. British Video of the Year. “Walking on Broken Glass”. “Requiem for A Private War”. Eurythmics Sweet Dreams: The Video Album. Best R&B Performance by a Duo or Group with Vocal. “Sisters Are Doin’ It for Themselves” (with Aretha Franklin). Best Rock Performance by a Duo or Group with Vocal. Best Music Video – Long Form. We Two Are One Too. Album of the Year. Best Female Pop Vocal Performance. “No More’I Love You’s”. Best Pop Vocal Album. Best Song Written for a Motion Picture, Television or Other Visual Media. “Into the West (From The Lord of the Rings: The Return of the King)”. Best Traditional Pop Vocal Album. “Put a Little Love in Your Heart”. Best Video from a Film. International Viewer’s Choice – MTV Europe. American Music Awards[112]. 2008 – AMA Award of Merit for her work and her humanitarian efforts. Ivor Novello Awards[113]. 1984 – Songwriter of the Year for Lennox and Dave Stewart. 1987 – Songwriter of the Year for Lennox and Dave Stewart. 1987 – Best contemporary song “Its Alright, (Baby’s Coming Back)”. 1993 – Best Song (“Why”). Honorary degrees and awards[114]. 1986 – Associate – Royal Academy of Music London. 1997 – Fellowship – Royal Academy of Music London. 2006 – Honorary Doctor of Music – The Royal Scottish Academy of Music and Drama. 2006 – Fellowship – Edinburgh College of Art. 2009 – Honorary Doctorate at the University of Edinburgh (awarded 20 October 2009), in recognition of her work in the field of HIV/AIDS, and her success as a recording artist. 2011 – Honoured by the University for her International Humanitarian Efforts – Glasgow Caledonian University. 2012 – Honorary Degree – Open University of Scotland. 2013 – Honorary Degree – Williams College. 2013 – Honorary Doctorate in Music – Berklee College of Music. 2013 – Honorary Degree – University of Essex. 2002 – Billboard Century Award by Billboard. 2008 – OUT magazine honoured Lennox for her work in the HIV and AIDS field. The top 100 most influential people in Gay Culture. 2008 – The British Red Cross Services to Humanity Award. 2008 – Glamour Magazine’s Inspirational Woman of the Year Award. 2008 – Honoured at the 2008 Youth AIDS Gala, for her contribution in helping the fight against HIV and AIDS. 2008 – The German Sustainability “special achievement” award for her commitment in the fight against HIV and AIDS. 2009 – Save the Children “Amigo de los Niños” Award. 2009 – Awarded the “Freedom of the City of London” by the British Red Cross for services to humanity in the field of HIV and AIDS. 2009 – Nobel Peace Laureates for services to humanity. 2010 – Patron of the Elton John AIDS Foundation. 2010 – Special Envoy for HIV/AIDS in Scotland. 2010 – Ambassador for HIV/AIDS in London. 2010 – UNAIDS Goodwill Ambassador. 2010 – Barclays Women of the Year Award. 2010 – International Service Award for Global Defence of Human Rights[118]. 2010 – GQ Charity Woman of the Year Award. 2010 – Harper’s Bazaar Lifetime Achievement Award. 2010 – Appointed an Officer of the Order of the British Empire (OBE) for her work fighting AIDS and poverty in Africa. 2013 – Music Industry Trust Award (MITS) for her creativity and work that inspires those who work within the music business and millions of others worldwide. 2016 – Elle Style Awards – Outstanding Achievement Award. 2016 – Awarded Livingstone Medal by Royal Scottish Geographical Society. 2016 – Harper’s Bazaar Philanthropy Award. Eddie Chin (born November 3, 1948) is an American bassist who was formerly a part of The Tourists. As part of his early career, Chin joined the skiffle group, The Pigsty Hill Light Orchestra along with fellow musician Robert Greenfield. In 1976, Chin was introduced to Annie Lennox and Dave Stewart and The Tourists were formed. Eurythmics were a British pop duo consisting of members Annie Lennox and Dave Stewart. Stewart and Lennox were both previously in The Tourists, a band which broke up in 1980; Eurythmics were formed later that year in Wagga Wagga, Australia. [2] The duo released their first studio album, In the Garden, in 1981 to little success, but went on to achieve global success when their second album Sweet Dreams (Are Made of This), was released in 1983. The title track became a worldwide hit which topped the charts in various countries including the US. The duo went on to release a string of hit singles and albums before they split up in 1990. By this time, Stewart was a sought-after record producer, while Lennox began a solo recording career in 1992 with her debut album Diva. After almost a decade apart, Eurythmics reunited to record their ninth album, Peace, released in late 1999. They reunited again in 2005 to release the single “I’ve Got a Life”, as part of a new Eurythmics compilation album, Ultimate Collection. The duo have won an MTV Video Music Award for Best New Artist in 1984, the Grammy Award for Best Rock Performance by a Duo or Group with Vocal in 1987, the Brit Award for Outstanding Contribution to Music in 1999, and in 2005 were inducted into the UK Music Hall of Fame. [3] In 2017, the group was nominated for induction into the Rock & Roll Hall of Fame, [4] and were nominated again in 2018. 1976-82: Formation and In the Garden. 1983-84: Sweet Dreams (Are Made of This) and Touch. 1985-86: Be Yourself Tonight and new musical direction. 1986-90: Revenge, Savage and We Too Are One. 1990-98: Hiatus and solo careers. 2014: Reuniting for Beatles tribute concert. 2019: Reuniting for Sting’s 30th We’ll Be Together benefit concert. Lennox and Stewart met in 1975 in a restaurant in London, where Lennox worked at that time. [6] They first played together in 1976 in the punk rock band The Catch. After releasing one single as The Catch in 1977, the band evolved into The Tourists. Stewart and Lennox were also romantically involved. The Tourists achieved some commercial success, but the experience was reportedly an unhappy one. Personal and musical tensions existed within the group, whose main songwriter was Peet Coombes, and legal wranglings happened with the band’s management, publishers and record labels. Lennox and Stewart felt the fixed band line-up was an inadequate vehicle to explore their experimental creative leanings and decided their next project should be much more flexible and free from artistic compromise. They were interested in creating pop music, but wanted freedom to experiment with electronics and the avant-garde. It was in a hotel in Wagga Wagga, Australia, while playing around with a portable mini-synthesizer that Lennox and Stewart decided to become a duo. [7] Calling themselves Eurythmics (after the pedagogical exercise system that Lennox had encountered as a child[citation needed]), they decided to keep themselves as the only permanent members and songwriters, and involve others in the collaboration “on the basis of mutual compatibility and availability”. The duo signed to RCA Records. At this time, Lennox and Stewart also split as a couple. During the period that Lennox and Stewart were in The Tourists, and later as Eurythmics, they were managed by Kenny Smith and Sandra Turnbull of Hyper Kinetics Ltd. They recorded their first album in Cologne with Conny Plank (who had produced the later Tourists sessions). This resulted in the album In the Garden, released in October 1981. The album mixed psychedelic, krautrock and electropop influences, and featured contributions from Holger Czukay and Jaki Liebezeit (of Can), drummer Clem Burke (of Blondie), Robert Görl of D. , and flautist Tim Wheater. A couple of the songs were co-written by guitarist Roger Pomphrey (later a TV director). The album was not a commercial success though the debut single “Never Gonna Cry Again” made the UK charts at No. [8] Lennox and Stewart then activated their new Eurythmics mode of operation by touring the record as a duo, accompanied by backing tracks and electronics, carted around the country by themselves in a horse-box. They began to employ much more electronics in their music, collaborating with Raynard Faulkner and Adam Williams, recording many tracks in the studio and playing live using various line-up permutations. However, the three new singles they released that year (“This Is the House”, “The Walk” and “Love Is a Stranger”) all performed badly on initial release in the UK. Although their mode of operation had given them the creative freedom they desired, commercial success still eluded them and the responsibility of personally running so many of their affairs (down to transporting their own stage equipment) took its toll. Lennox apparently suffered at least one nervous breakdown during this period, while Stewart was hospitalised with a collapsed lung. MTV has paved the way for a host of invaders from abroad: Def Leppard, Adam Ant, Madness, Eurythmics, the Fixx and Billy Idol, to name a few. In return, grateful Brits, even superstars like Pete Townshend and the Police, have mugged for MTV promo spots and made the phrase “I want my MTV” a household commonplace. Anglomania: The Second British Invasion, by Parke Puterbaugh for Rolling Stone, November 1983. Eurythmics’ commercial breakthrough came with their second album, Sweet Dreams (Are Made of This), released in January 1983. The successful title track featured a dark and powerful sequenced synth bass line and a dramatic video that introduced the now orange crew-cut Lennox to audiences. The song reached No. 2 on the UK Singles Chart, [8] becoming one of the year’s biggest sellers, and later topped the US Billboard Hot 100. The band’s fortunes changed immensely from this moment on, and Lennox quickly became a pop icon, gracing the covers of numerous magazines including Rolling Stone. Their previous single, “Love Is a Stranger”, was also re-released and became another chart success. The video for the song saw Lennox in many different character guises, a concept she would employ in various subsequent videos. The album’s working title was Invisible Hands (as was a track left off the album), inspiring the name of the British independent company Invisible Hands Music – known for releasing music by Hugh Cornwell, Mick Karn and Hazel O’Connor. The album also featured a cover of the 1968 Sam & Dave hit “Wrap It Up”, performed as a duet between Lennox and Green Gartside of Scritti Politti. The duo quickly recorded a follow-up album, Touch, which was released in November 1983. It became the duo’s first No. 1 album in the UK, and also spawned three major hit singles. Who’s That Girl? Was a top 3 hit in the UK, [8] the video depicting Lennox as both a blonde chanteuse and as a gender-bending Elvis Presley clone. It also featured cameo appearances by Hazel O’Connor, Bananarama (including Stewart’s future wife, Siobhan Fahey), Kate Garner of Haysi Fantayzee, Thereza Bazar of Dollar, Jay Aston and Cheryl Baker of Bucks Fizz, Kiki Dee, Jacquie O’Sullivan and the gender-bending pop singer Marilyn, who would go on to musical success of his own that same year. The upbeat, calypso-flavoured “Right by Your Side” showed a different side of Eurythmics altogether and also made the Top 10, and “Here Comes the Rain Again” No. Eight in the UK, [8] No. Four in the US was an orchestral/synth ballad (with orchestrations by Michael Kamen). In 1984 RCA released Touch Dance, an EP of remixes of four of the tracks from Touch, aimed at the club market. The remixes were by prominent New York City producers Francois Kevorkian and John “Jellybean” Benitez. Also released in 1984 was Eurythmics’ soundtrack album 1984 (For the Love of Big Brother). Virgin Films had contracted the band to provide a soundtrack for Michael Radford’s modern film adaptation of George Orwell’s Nineteen Eighty-Four. However, Radford later said that the music had been “foisted” on his film against his wishes, and that Virgin had replaced most of Dominic Muldowney’s original orchestral score with the Eurythmics soundtrack (including the song “Julia”, which was heard during the end credits). Nevertheless, the record was presented as “music derived from the original score of Eurythmics for the Michael Radford film version of Orwell’s 1984″. Eurythmics charged that they had been misled by the film’s producers as well, [10] and the album was withdrawn from the market for a period while matters were litigated. The album’s first single, “Sexcrime (Nineteen Eighty-Four)”, was a top 5 hit in the UK, [8] Australia and across Europe, and a major dance success in the United States. Annie Lennox performing during Revenge Tour in 1986. The duo’s next album, Be Yourself Tonight, was produced in a week in Paris. It showcased much more of a “band style” and a centred sound (with an R&B influence), with real drums, brass, and much more guitar from Stewart. Almost a dozen other musicians were enlisted, including members of Tom Petty’s Heartbreakers, guest harmonica from Stevie Wonder, bass guitar from Dean Garcia, string arrangements by Michael Kamen, and Lennox singing duets with Aretha Franklin and Elvis Costello. It continued the duo’s transatlantic chart domination in 1985, and contained four hit singles: Would I Lie to You? Was a US Billboard top five hit and Australian No. One, while “There Must Be an Angel (Playing with My Heart)” (featuring Wonder’s harmonica contribution) became their first and only UK No. [8] The feminist anthem “Sisters Are Doin’ It for Themselves” (a duet with Aretha Franklin, though originally intended for Tina Turner), and “It’s Alright (Baby’s Coming Back)” also rode high in the charts. In September 1985, Eurythmics performed Would I Lie to You? At the 1985 MTV Video Music Awards at the Radio City Music Hall in New York. Eurythmics released their next album, Revenge, in 1986. The album continued their move towards a band sound, verging on an AOR-pop/rock sound. Sales continued to be strong in the UK and internationally, but were somewhat slower in the US, though “Missionary Man” reached No. 14 on the US Hot 100 chart and went all the way to No. 1 on the US Album Oriented Rock chart (AOR). Revenge would eventually certify double Platinum in the UK and Gold in the US. The band went on a massive worldwide tour in support of the album, and a live concert video from the Australian leg of the tour was released. In 1987, Lennox and Stewart released the album Savage. This saw a fairly radical change within the group’s sound, being based mainly around programmed samples and drum loops (Lennox would later say that where Revenge was more of a Stewart album in sound, Savage was more of a Lennox one). Lyrically the songs showed an even darker, more obsessive side to Lennox’s writing. A video album was also made, directed by Sophie Muller, with a video for each song. This was largely a concept piece, following characters portrayed by Lennox, specifically one of a frustrated housewife-turned-vamp as exemplified in “Beethoven (I Love to Listen To)”, a UK top 30 hit[8]. The brazen, sexually charged rocker “I Need a Man” remains a Eurythmics staple, as does “You Have Placed a Chill in My Heart”. Much less commercial than the two previous albums, Savage was mostly ignored in the US, although rock radio in more progressive markets supported “I Need a Man”. In the duo’s native UK however, the album was a top 10 success and was certified Platinum. In 1989, Eurythmics released the album We Too Are One, which entered the UK Albumc Chart at No. 1 their second No. 1 album after Touch[8] and gave the duo four UK Top 30 hit singles. The album was a return to the rock/pop sound of their mid-80s albums and was certified Double Platinum in the UK, but was less successful in the US (although the single “Don’t Ask Me Why” grazed the Billboard Top 40). Other singles from the album included “Revival”, “The King and Queen of America” and “Angel”. Accompanying the album, the duo conducted their Revival world tour from 8 September 1989 to 25 January 1990. [12][13] Parts of the tour (both on and off-stage) were interspersed with promo videos for Eurythmics’ 1990 video album We Two Are One Too. After strenuous years of touring and recording (Eurythmics had released eight studio albums in eight years), a rift had developed between the duo and Eurythmics disbanded, although no formal notice was given. Stewart began writing film soundtracks and had a big international hit in 1990 with the instrumental track “Lily Was Here” (featuring saxophonist Candy Dulfer). The single reached No. 6 in the UK[14] and the Top 20 throughout much of Europe, as well as in Australia and the US. He also formed a band called The Spiritual Cowboys, releasing two albums with this group in the early 1990s. Lennox took time off from her career to have a baby and to consider a life after Eurythmics. Accordingly, the duo had very little communication with each other from 1991 to 1998. In 1991, Eurythmics’ Greatest Hits collection was released, entering the UK album chart at No. New remixes of “Sweet Dreams” and “Love Is a Stranger” were also released as singles at this time. In 1992, Lennox released her first solo album, Diva. The album was a critical and popular success, entering the UK album chart at No. 1 and achieving quadruple platinum status (more than any Eurythmics studio album had done), as well as producing a string of five hit singles. She followed this up in 1995 with her second album, Medusa, an album of cover versions. It became her second No. 1 album in the UK, reaching double platinum status both there and in the US. Stewart, meanwhile, released the solo albums Greetings from the Gutter (1995), and Sly-Fi (1998), but neither was commercially successful. Stewart and Lennox performing on The Today show in November 2005. In the late 1990s, Eurythmics reunited and recorded a new album, Peace, which was released in 1999. The single “I Saved the World Today” reached No. 11 in the UK Singles Chart, [8] and a remix of “17 Again” gave the duo their first chart-topper on the US Hot Dance Music/Club Play chart. The band also embarked on a world tour, dubbed the “Peacetour”, to support the album. The tour started on 18 September 1999 at Cologne’s Kölnarena and ended on 6 December 1999 at the London Docklands Arena (which was filmed and released on video and DVD). All proceeds from the tour went to Greenpeace and Amnesty International. In 2001, Stewart performed with U2 for the America: A Tribute to Heroes benefit concert. In 2002, he collaborated with Bryan Ferry on his album Frantic. In June 2003, Lennox released her third solo album, entitled Bare, which was a top 5 hit in the UK and the US. With three tracks reaching the top of the US Billboard Hot Dance Music/Club Play chart. She also recorded the song “Into the West” for Peter Jackson’s film The Lord of the Rings: The Return of the King, where it appeared as the closing theme and earned Lennox the Academy Award for Best Song. In November 2003, Eurythmics played three songs at the 46664 in Cape Town, South Africa, for which Stewart was one of the primary organisers. They played an unplugged version of “Here Comes the Rain Again”, “7 Seconds” with Youssou N’Dour and “Sweet Dreams”. Stewart collaborated with The Rolling Stones vocalist Mick Jagger on the soundtrack to the movie Alfie, released in 2004, including the critically acclaimed “Old Habits Die Hard”, which won a Golden Globe Award for Best Original Song from a Motion Picture. On 7 November 2005, Eurythmics released Ultimate Collection, a remastered greatest hits package with two new songs. One of them, “I’ve Got a Life”, was released as a single and reached No. 14 on the UK Singles Chart[8] as well as spending three consecutive weeks at No. 1 on Billboard’s Hot Dance Music/Club Play in the US. Lennox and Stewart appeared on a number of TV shows to promote their new compilation album, which was a Top 5 hit and certified Platinum in the UK. On 14 November 2005, the duo’s label, RCA, re-released their eight studio albums in remastered and expanded editions featuring rare B-sides, remixes and unreleased songs. The remasters were made available separately with expanded artwork, and also together in a collector’s box set, entitled Boxed. However, the 1984 soundtrack album 1984 (For the Love of Big Brother) was not included in this re-release campaign as Virgin Records holds the rights to that album. Also in 2005, Eurythmics were inducted into the UK Music Hall of Fame. [15] In 2007, Lennox resumed her solo career with her fourth album, Songs of Mass Destruction, which was a top 10 success in the UK and the US. In 2009, she released her first solo “greatest hits” package, The Annie Lennox Collection. The same year, Lennox stated that although she and Stewart remain friends, she does not foresee any further Eurythmics projects in the future. In an interview with Reuters in September 2012, Stewart was quizzed on whether a new Eurythmics album is in the works, to which he replied: “We’re not talking about one right now, but never say never”, but he was considering a musical centred on the music of Eurythmics. Annie Lennox and Dave Stewart performed as a duo for “The Night That Changed America: A Grammy Salute to The Beatles”. The event was recorded at the Los Angeles Convention Center on 27 January 2014, the day after the Grammy Awards. They performed The Beatles song “The Fool on the Hill”. Annie Lennox and Dave Stewart, billed as Eurythmics, performed at Sting’s 30th We’ll Be Together benefit concert in aid of his Rainforest Foundation Fund on 9 December 2019 at New York City’s Beacon Theatre. The group played Would I Lie to You? “, “Here Comes the Rain Again”, and “Sweet Dreams (Are Made of This)”, before returning to join in the finale performance of Journey’s “Don’t Stop Believin’ along with the night’s other performers. Main article: Eurythmics discography. In the Garden (1981). Sweet Dreams (Are Made of This) (1983). 1984 (For the Love of Big Brother) (1984). Be Yourself Tonight (1985). We Too Are One (1989). Sweet Dreams Tour (1983). “Sweet Dreams (Are Made of This)”. Top Hot 100 Song. Top Disco Artist – Duo/Group. Top Billboard 200 Artist. Top Hot 100 Artist. Top Hot 100 Artist – Duo/Group. Top Dance Club Play Artist. Top Billboard 200 Album. Top Dance Play Single. We Too Are One. “Don’t Ask Me Why”. Outstanding Contribution to British Music. 1984[23][circular reference]. 1985[24][circular reference]. 1987[25][circular reference]. 1988[26][circular reference]. “I Need a Man”. “You Have Placed a Chill in My Heart”. 1984: Ivor Novello Award – Songwriters of the Year. 1987: Ivor Novello Award – Songwriters of the Year. 1987: Ivor Novello Award – Best Contemporary Song for “It’s Alright (Baby’s Coming Back)”. 2000: Silver Clef Award. 2000: ASCAP Award for “Sweet Dreams (Are Made of This)”. 2003: Kindred Spirit Music Award. 2005: Inducted into UK Music Hall of Fame. 2008: ASCAP Award for “Sweet Dreams (Are Made of This)”. 2009: ASCAP Award for “Sweet Dreams (Are Made of This)”. 2010: ASCAP Award for “Sweet Dreams (Are Made of This)”[27]. He Tourists were a typical British post-punk new wave group, except for the fact that in a brief career spanning 1979 and 1980 they recorded three albums (The Tourists, Reality Effect and Luminous Basement), all of which made the UK charts. They also scored five chart singles, two of which (I Only Want To Be With You and So Good To Be Back Home Again) made the Top Ten. I Only Want To Be With You also made the US singles chart. Undemonstrative northerner songwriter and co-lead singer Peet Coombes had a pinched nasal tenor that suited the slightly sour sentiments of songs like Another English Day and Don’t Get Left Behind. But The Tourists’ secret weapon was peroxide blonde Annie Lennox who tended to overpower Coombes on their duets and helped make the overtly pop The Loneliest Man In The World their first Top 40 hit. Apart from bassist Eddie Chin’s Chinese nationality and ponytail, her gaunt good looks, short bleached fringe and mildly androgynous air were The Tourists’ sole distinguishing feature. Their third album (Luminous Basement) integrated Annie’s classically-trained keyboards into the mix while maintaining their basic pop focus. Peet Coombes’s lyrics had an inward-looking, psychoanalytical flavour and Lennox, on her one contribution (One Step Nearer The edge) maintained that introspection. Meanwhile, Dave Stewart brought in a Yardbirds-style rave-up in Let’s Take A Walk. Don’t Say I Told You So showed that the group could still come up with a catchy single, but it and the album enjoyed only modest success. After the band split in 1980, Coombes and Chin formed the Acid Drops (who vanished into oblivion) while Dave Stewart and Annie Lennox formed Eurythmics (who most certainly did not). This item is in the category “Collectibles\Autographs\Music”. The seller is “memorabilia111″ and is located in this country: US. This item can be shipped to United States, Canada.
THE TOURISTS SIGNED BY Eurythmics Annie Lennox DRAWING Dave Stewart 70S PHOTO

1965 Bonanza Set (36)

bonanza
1965 Bonanza Set (36)
1965 Bonanza Set (36)
1965 Bonanza Set (36)
1965 Bonanza Set (36)
1965 Bonanza Set (36)
1965 Bonanza Set (36)

1965 Bonanza Set (36)
VG CONDITION PLEASE LOOK AT ALL THE PICTURES FOR YOUR OWN EVALUATION. COME FROM A NON SMOKER HOUSE. A SAME AS CANADA. This item is in the category “Collectibles\Non-Sport Trading Cards\Trading Card Singles”. The seller is “cartofolie” and is located in this country: CA. This item can be shipped worldwide.
  • Set: Series 1
  • Graded: No
  • Type: Non-Sport Trading Card
  • Features: Autograph, Foil, Checklist
  • TV Show: Combat!
  • Year Manufactured: 1965
  • Genre: Fantasy, Superhero
  • Age Level: 16+
  • Franchise: fantasy

1965 Bonanza Set (36)

2020 Immaculate Sam Hilliard Colorado Rockies SP Rookie Auto Patch 1/1 RPA

immaculate
2020 Immaculate Sam Hilliard Colorado Rockies SP Rookie Auto Patch 1/1 RPA
2020 Immaculate Sam Hilliard Colorado Rockies SP Rookie Auto Patch 1/1 RPA

2020 Immaculate Sam Hilliard Colorado Rockies SP Rookie Auto Patch 1/1 RPA
Card is a PRINTING PLATE/IS USED. Anyone who knows how printing plates work, knows conditions. Ask if you have any questions. This item is in the category “Sports Mem, Cards & Fan Shop\Sports Trading Cards\Trading Card Singles”. The seller is “barracks” and is located in this country: US. This item can be shipped to United States.
  • Player: Sam Hilliard
  • League: Major League
  • Autographed: Yes
  • Set: 2020 Panini Immaculate Collection (Baseball)
  • Autograph Format: Hard Signed
  • Signed By: Sam Hilliard
  • Product: Single
  • Grade: Ungraded
  • Year Manufactured: 2020
  • Card Attributes: 1-of-1, Holographic Foil, Piece of Authentic, Rookie, Serial Numbered, Short Print (SP)
  • Series: Panini National Treasures Baseball
  • Graded: No
  • Sport: Baseball
  • Type: Sports Trading Card
  • Year: 2020
  • Era: Modern (1981-Now)
  • Original/Reprint: Original
  • Autograph Authentication: Bowman
  • Features: Rookie
  • Team: Colorado Rockies
  • Card Number: CR-SH
  • Season: 2020
  • Card Manufacturer: Panini

2020 Immaculate Sam Hilliard Colorado Rockies SP Rookie Auto Patch 1/1 RPA